OLD HOUSE RESTORATION VIDEOS- Bungalow Kitchens

OLD HOUSE RESTORATION VIDEOS- Bungalow Kitchens

Bungalow kitchen stoveMost of my playlists have only 3 or 4 videos. But, I love old bungalow kitchens & this includes bungalow kitchen videos so I never pass up the opportunity to watch one & do not wish to deprive you. When I go to house museums, I always head for the kitchen & hang around there until my husband makes me leave. On the few occasions that I was required to be on a tour, I have managed to break away from the main group & find my own way to the kitchen. I have been reprimanded by security guards more than once but I don’t care! I guess I’m an unapologetic kitchen rebel. Been called worse!

My blog articles about kitchens favor authentic restorations or reproductions. My mentor, Jane Powell wrote the definitive book on the subject, BUNGALOW KITCHENS & I strongly urge you to read it & enjoy its lush photography.

SO LET’S LOOK AT SOME BUNGALOW KITCHENS VIDEOS, SHALL WE!

1920s Kitchen: A Look Back, Rice County (1:54)
Power96Radio

This kitchen is described as being a country kitchen so it has the look of an earlier period. The wallpaper is wonderful!

1920s style kitchen design (2:20)
Антон Шишко

A mixture of wonderful old, cool restored & newly created kitchens in a variety of degrees of authenticity, with some annoying music playing in the background.

Family Uses 100-Year-Old Stove: ‘It’s Like a Miracle’ (1:05)
Our little Nest

A charming couple with their old stove.

55 Indoor Antique Gas Stove Ideas (4:57)
Empowerment

Some interesting images of a number of great stoves from many decades.

Historic Kitchens from the 1920s and 30’s are not what you think. (8:21)
Brent Hull

A look at technology in early homes.

The AWESOME History of Kitchens- Historic Kitchens revealed. (11:58)
Brent Hull

The evolution of the kitchen.

Historic House Tour: 70 years of kitchen innovations all in 1 place. CRAZY! (14:22)
Brent Hull

A kitchen that has original wood cabinets, decorative parlor cabinets, 1940’s plywood cabinets, 1950’s steel cabinets, and a 1970’s electric range. Oh, my!

Watch more videos on all things bungalow here!

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THE CRAFTSMAN MAGAZINE

THE CRAFTSMAN MAGAZINE

“An illustrated monthly magazine in the interest of better art, better work and a better more reasonable way of living.”
~The Craftsman the magazine of the Arts & Crafts movement, edited by Gustav Stickley, was published from October 1910- December 1916 & was taken over by Art World in 1917.

Stuckley’s interest in furniture began as a carpenter, but inspired by the Arts & Crafts Movement of the late 1800’s in England, he created a whole design movement giving identity & voice to the Movement in America. Through his ideology of simplicity, craftsmanship & wholesome living, he built a home decorating empire including a large store, modeled on today’s department store, featuring his furniture & metalwork. In the store was a beautiful restaurant where they served fresh food that was grown on his farm.

Stickley promoted his goods & his ideals through The Craftsman magazine which featured articles about architecture, interior design & about living well. A vehicle to educate the public on the Arts & Crafts Movement, the first two issues were devoted to William Morris & John Ruskin. Articles on Morris include praise for Morris as a poet, a storyteller, an artist & a handicraftsman, as well as “an unprejudiced man of wealth, culture & position” & “versatile genius.” Stickley laments Morris’ recent passing calling him – “a lost leader, friend & brother.” I consider myself a Morris groupie, but I do not feel that I ever knew him before I read Stickley’s words.

With that, let’s pause to consider the fact that in the first eight volumes of The Craftsman, from October 1901 to September 1905, Irene Sargent, an American art historian, made eighty-four contributions, & nearly all of its first three issues were written primarily by her. An academic, her aesthetic is succinctly expressed by a quote she published of Thomas Carlyle: “ornament is the first spiritual need of barbarous man.” This book, a chronology of Sargents’ life, by Cleota Reed, was hand-printed by Andre Chavez of The Clinker Press.

It is my feeling that though it is likely that the Morris tributes above flowed from her pen, Stickley truly loved & understood the European Art & Crafts Movement & was profoundly influenced by it, considering it his mission to bring it to America. Being the editor & publisher, you can be assured The Craftsman was Stickley’s voice, as often expressed by Sargent.

However, as much as Stickley admired Morris, rather than being another child of the medieval period on which the European Movement was modeled, Stickley’s uniquely American, colonial-inspired, cultural aesthetic was clear from the magazine’s inception & grew ever bolder with each issue.

What I consider to be the most valuable aspect of the American Arts & Crafts Movement was its focus on simplicity, honesty, & cooperation as the ingredients of living well. He was a proponent of building in harmony with the environment by using natural materials & was also an early supporter of conservation. You can see an example of the The Craftsman magazine’s beautiful & eloquent content here.

He encouraged his readers to become proficient in manual tasks like carpentry even publishing plans of how to build his furniture designs at home. His articles provided guidance on doing handcrafted work such as embroidery & there was much written on gardening. Stickley was the major tastemaker of his age & in my humble opinion, taught folks to live fulfilling lives centered on creativity, self-sufficiency, health & family.

An example of articles contained in the magazine can be viewed here, a charming article about Christmas & another informative one about lighting, a very new technology when it was written.

And, please take a look at these videos about him, his life & work. I have included a trailer of the documentary film, Gustav Stickley: American Craftsman, available on Prime Video.  It contains much of what you need to know about the Movement in this country. What I have written here is so abbreviated that I am feeling a bit disrespectful, but if it encourages you learn more about this brilliant & heartful man, then my little article has done its job.

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A CRAFTSMAN MAGAZINE CHRISTMAS

A CRAFTSMAN MAGAZINE CHRISTMAS

Craftsman Magazine ChristmasCHRISTMAS DECORATIONS FROM WINTER’S GARDEN
December, 1911

In tracing the custom of decorating the church and home with green boughs, vines and flowers on Christmas day—a custom dear to many people in many lands—we wander through both Christian and pagan eras. The records disclose curious, interesting and beautiful facts and fancies of historical and poetical importance. Some writers see in this custom a yearly commemoration of Christ’s entry into Jerusalem when the people waved pine branches as token of their rejoicing.

In Isaiah we read, “The glory of Lebanon shall come unto thee, the fir-tree, the pine-tree and the box together to beautify the place of my sanctuary.” Nehemiah commanded the people, on some occasion of rejoicing, to “go forth unto the mount and fetch olive branches and myrtle branches and palm branches and branches of thick trees.”

It seems strange that in spite of these authoritative quotations and incidents, the early Christians forbade the use of flowers and branches in their church, no matter what the occasion. The Puritans also denounced the use of flowers or greens as “vain abominations” for the same reason—namely, that the custom was said to be of pagan origin. “Trymming of the temples with hangynges, flowers, boughs and garlondes was taken from the heathen people, whiche decked their idols and houses with suche array,” wrote Polydore Vergil.

Druids mentioned in Craftsman article on ChristmasThe reason among the Druids for bringing in bits of evergreen from the woods and adorning the house is a most charming and lovable one—”The houses were decked with evergreens in December that the sylvan spirits might repair to them and remain unnipped with frost and cold winds until a milder season had renewed the foliage of their darling abodes.” How gracious a way of luring the shy, sweet wild-woods spirits into the homes of men!

The Druids with ceremonies of great solemnity used to collect mistletoe “against the festival of winter solstice.” Only the oaks bearing mistletoe were sacred to this ancient order of men, and they made solemn processions to such oaks, a prince of the order cutting the mistletoe with a golden sickle. It is recorded that the people’s reverence for the priests proceeded in great measure from the cures which the priests effected by means of this curious green plant of the pearl-like berries. It was collected thus ceremoniously by the Druids because it was supposed to drive away evil spirits.

Sir John Colbatch boldly said that “it must have been designed by the Almighty for further and more noble purpose than barely to feed thrushes or to be hung up surreptitiously to drive away evil spirits.”

Mistletoe mentioned in Craftsman article on ChristmanBut whatever the origin of decking our homes with holly, mistletoe or with branches of any green plant hardy enough to carry with it a hint of immortality by remaining fresh and green throughout the apparent death of the world during the winter—the custom is now well established, and who would willingly let it slip into oblivion! It would seem strange indeed not to welcome this child’s festival,—the holiest festival of the year’s calendar,—with fragrant boughs from the forest set at our doorways and windows and on our altars. It is a fitting and beautiful way to symbolize our love and worship of the One who made immortality credible.

Nature has set many a lovely plant in her winter garden of rich perpetual green, giving some of them an added charm of scarlet berry, or berry of blue or white or purple. Some have hardy, glossy leaves of wonderful shapeliness, some of them have fragrant needles, some exhale rare aromatic incense, some even put forth hardy flowers of glowing crimson or purest white.

The Lord of MisruleOf those bearing bright berries that we can gather from the woods or fields to adorn our homes at this Christmas season, perhaps the general favorite in the East is the holly—in the West it is the toyon. These two glossy leaved bushes of the scarlet berries are too well known to need words in their favor. The mistletoe of the South and of the West should be mentioned in the same breath with these favorites, for they are closely associated in our minds. The “Lord of Misrule” and the “Abbot of Unreason” [both terms apply to a peasant or low level church official appointed to be in charge of Christmas revelries, which often included drunkenness and wild partying] have claimed these white Christmas berries from the time of their first hilarious coronation day when fate was precipitated with surety upon the head of the maiden of their merry courts who was caught under the fruiting branch of their wand—the mistletoe bough!

The snowberry that holds large waxy berries through most of the winter is well known in both the East and the West and lightens dark corners of rooms in most decorative way, looking like miniature snowballs—that do not fade away at the approach of fire. Barberries have won a well-deserved popularity as Christmas decorations, so also has the winterberry or black alder with its red fruit. Several of our thorn bushes show bright berries in the whiter. The viburnums with black berries, the wild currant with small but pretty red fruit, the spindle tree with pink berries and the orange and red bittersweet can be obtained with a little search of open groves and sheltered pastures.

Berries mentioned in Craftsman article on ChristmasAmong the evergreens whose beautiful leaves are polished to glossiest perfection by Jack Frost, are the magnolias, rhododendrons, mountain laurel, bay laurel, madrone. The pepper tree of the Southwest drips with red berries as well as sparkles with shining leaves. The checkerberry also combines red berries and polished leaves, though it is a tiny humble little plant compared to the showy pepper tree. Galax leaves are coming into favor, and deservedly so, for they are of the richest, glossiest dark green and bronze, and their heart-shaped surfaces are beautifully veined, a fine example of natural engraving.

As to vines with which to drape mantel, table and picture, the wild smilax of the South and the ground pine of the North cannot be surpassed, for they are charmingly graceful, retain their fresh color for a long time and have decorative qualities wherever placed. The Christmas fern which grows quite universally throughout the country is another graceful plant that lends itself graciously to decorations of every nature. The winter garden shoves nothing lovelier than the shapely green fronds of this fern, and it retains its rich green whether covered with snow or taken into the warm atmosphere of the home.

Besides all these green things that are to be had as reward of a walk in field or forest, are the evergreen trees of all kinds, the firs, spruces, arborvitaes, pines, hemlocks, whose balsamic fragrance add so much to Christmas cheer. The Christmas rose should be better known—should be made to bloom in our gardens as well as in Nature’s garden.

Delicate mosses, lichens and little rock ferns can often be found on the sheltered side of rocks, that are as green as when summer holds sway over our land.

With such an array of green growing things to choose from, things full of sentiment, of dear associations, of rare beauty, why not give ourselves the joy of a search for them through winter fields and woods ? Would not such a search be just about the best part of the season’s merry making. ”Would we not be entering more into the spirit of Christmas by going out to meet it, as it were, by searching for these aromatic symbols of immortality and bringing them into our homes, rather than by unromantically ordering wreaths, vines and branches from the florist’s.”

The Craftsman Magazine was the premier publication of the American Arts & Crafts Movement. Each article promotes a natural, simple lifestyle in beautifully expressive prose. Read my article on how I created my Craftsman Magazine Christmas here.

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SELLING YOUR HISTORIC HOUSE

SELLING YOUR HISTORIC HOUSE

Historic house for saleLife changes can interrupt the most heart-felt, best laid plans. A marriage, a divorce, a new baby, a job transfer, a lay-off, a family member in need of care, any one of these things can profoundly affect your circumstances.

So, after much soul-searching & considering options, it’s time to be selling your historic house, the one that was going to be your forever home. You want to ensure that it doesn’t end up in the hands of a flipper, (with my pardon to those who maintain & preserve historic features. You know that you are rare!) or the victim of someone who thinks that the plot of land on which your precious bungalow sits would be a prime spot for a marble clad McMansion.

So, how do you attract the right buyer when selling your historic house?

THE IDEAL HISTORIC HOUSE BUYER

Let’s pause to consider what your ideal buyer might look like.

1. They love all aspects of old houses.
2. They love old neighborhoods.
3. They understand that old neighborhoods have the potential to transition.
4. They are financially qualified to be able to easily get a mortgage.
5. Your home’s location is convenient for them.
6. Your home’s size & layout will suit their needs.
7. They have sufficient resources to deal with the issues that can be found in an old house.

So, how do you attract this buyer?

Another numbered list:

Lo-o-o-ong before you make this decision-

bungalow the ultimate arts and crafts home1. Research the history of your house & neighborhood. Dig deep. In our disconnected world, people are searching for connections. You want to make the builders & former owners of your home real & lovable. Read my article on researching your home’s history.  It should provide you with the information you need to flesh out the cast of characters & bring them to life.

When the time comes, you will have an abundance of material to display in a beautifully arranged notebook with your other marketing materials. You might want to frame any images you find in period frames & hang them in a group. They’re your house’s family!

2. Collect a library of information on homes of your period. Study these materials while you live there. Display them with your other sales materials. You might want to include them as a gift to the new homeowners.

3. Learn basic principles of historic preservation so that you make the right choices. The general public is becoming more & more aware of preservation. They may not share your love of purple, but the right buyer will understand why you didn’t open up the kitchen.

4. Create an organized list of your service providers with all pertinent facts- contact info, pricing, skills, caveats.

5. Create a dedicated file for all repairs & improvements as you go along. I keep a “House Box” with all my receipts, service contracts, etc. Also keep a warrantee/instructions file for all appliances & systems in the box.

These will be included in your sales display.

Historic house marker6. Here’s a biggy. Most municipalities have historically designated houses. With all the research that you have done, you probably have sufficient information to apply for & be granted such a designation, at the local, state or even national level. This designation can go far in protecting your house, at least its exterior. There is nothing cannot be challenged in a court of law, but generally this designation will chase people away who want to seriously maul your house.

When I sold the Hare House, I made much of the fact that it was designated, in all its marketing. Most of the potential buyers who came to view it were very eager to own an important house, but I can remember showing it to a woman one day who slid in expressing her enthusiasm that it was on 1 1/2 lots. I don’t know what architectural mayhem she was envisioning but I happily pointed out its historic status. When she asked what that meant I cheerfully said, “The City of Los Angeles regulates all construction & maintenance. They fully control everything, but you pay for it.”

She didn’t make it past the entryway.

Historic documentary7. Connect with your neighborhood group. Older neighborhoods tend to have strong neighborhood associations. You will make good friends & learn much about the history of your area.

My participation in my neighborhood association allowed me to produce a historic documentary film about its origins. Its premier to a sell-out crowd at Tampa Theatre, one of America’s most elaborate movie palaces was the outstanding achievement of my preservation life.

In these groups, you will connect with local Realtors. If & when the time comes to put your house on the market, you want to know these folks well. I had a bit of a prickly personal relationship with the Realtor who sold the Hare House but I knew that she was the most knowledgeable, competent & connected & I didn’t think twice about hiring her. I was dazzled by her every move. Thanks to her large mailing list, the open house was flooded with old house loving people. Thanks to her connections, by the time of the open we already had offers. She had a great relationship with the agent of the buyer I liked the best & the whole transaction was astonishingly smooth.

I also recommend taking an active role in one of these groups. You can leave your neighborhood better than you found it.

7. Support local businesses. They are part of your community. Many of them are your neighbors. When the time comes, contact them about your house sale. They may have customers who like your area & would love to live there. Several in my neighborhood allowed me to display my sales fliers on their counters.

OH, DEAR!

Yes, this is a really long article. I have spent a week writing & re-writing it to make it concise but selling your historic house to the right buyer takes some planning & some work. Stick with me.

BEFORE YOU PUT YOUR OLD HOUSE ON THE MARKET

IF YOU HAVE NO $$$$ (Hey, it’s happened to all of us.)

Bedroom-in-Arts-&-Crafts-house1. De-clutter. Yard sale or donate anything that you do not need. Just get rid of it! This includes furniture.

2. Put away everything that’s left that you do not need to function daily. If you have a place to stash extraneous furniture items, stash them.

3. Leave out only the decorative items that truly enhance/complement the house. I have old family photos that I framed in period frames. These stayed & got many positive comments.

4. Free up storage as much as possible. If you look like you’re overflowing, it will read as being not enough storage for their stuff. This includes attic, basement, garage, kitchen- any place anything can be stashed. I know this conflicts with item 2. I have no solution to this, but better stashed in storage than in the house.

5. Clean the house from top to bottom. Use natural, unscented products. I clean everything in my house with white vinegar, full-strength in the bathroom & mixed with water elsewhere. (Make sure that you have good ventilation. It’s pretty acidic.)

Hit the walls where there are smudges, doors & door frames, & get behind any furniture that you can. And, yes, wash the dang windows!

Wash or shake out curtains & draperies. Vacuum the blinds.

Clean the kitchen so that anyone would feel comfortable eating off of any surface. Ditto the bathroom.

6. Rent a carpet shampooer & clean those carpets. Use unscented products.

Baking soda to clean a historic house7. Wash your sheets & mattress covers & your pillows if they are washable. Again, skip the scented products. I wash with baking soda, letting stinkier loads soak. I do not use fabric softener. It is made with cheap, petroleum-based ingredients & fragrance & is very unhealthful.  Now’s maybe a good time to ditch it forever.

You want your house to look & smell fresh, fresh, fresh. Many people have (or wish to avoid) chemical sensitivities so skip the air fresheners. You don’t want to trigger an asthma attack in a prospective buyer!

It’s a spring cleaning on steroids!

8. Open your windows & turn on fans as much as you can. We’re going for fresh. (Remember?)

9. Clean litter boxes & keep them clean.

10. Tidy your lawn & gardens. This includes vehicles, yard equipment. Now’s a good time to sell or donate any that you do not use.

IF YOU HAVE $$$ TO SPEND

All of the above, plus,
1. Paint your interior, especially the kitchen & the bathrooms. Use lighter tone, period appropriate colors. None of the people who bought my houses repainted.

2. Ditto your exterior. Again, period colors.

3. Refinish your floors if they need it.

4. Install seasonal flowers in bloom. I stayed up until 2 AM sticking fall flowers along my sidewalk the night before Jane & Linda came to photo my house for BUNGALOW: THE ULTIMATE ARTS & CRAFTS HOME, 2 days before my open. Yes, I was fried!

WHAT YOU NEED TO KNOW BEFORE SELLING YOUR HISTORIC HOUSE

Magnifying glass contracr 1. Understand the market for your price point in your area. Right now, inventory is very low so although interest rates are high, the shortage of houses is acute, raising the value of those available.

2. Do your own comp’s.
A. Look at properties near you online. See what is selling & what has recently sold. This will help you have realistic expectations.
B. If you can hit some open houses, or visit some houses for sale in your area, so much the better.

3. Understand your listing contract. It is a legal, binding contract with your Realtor. She may be the sister of your beloved dog groomer but it is not a casual relationship. Work everything out before you sign & definitely before you’re in negotiations with a buyer.

My Realtor understood that I was not going to choose the highest offer, I was going to choose the best steward. This agreement was in the listing contract because it could dip into her commission.

4. Get a home inspection if you can afford it so that you will have no surprises.

DISCLOSE EVERYTHING! Nothing will dampen the enthusiasm of even the most ardent buyer than feeling like they are being lied to. My inspection from when I purchased the house was there on the table with my current inspection. I disclosed that my inspector was my cousin & the buyer’s Realtor was fine with it. Cuz had such a great reputation that there was nobody else to refer!

MARKETING YOUR HISTORIC HOUSE

Cutting leaves for historic house sale1. 11” X 17” paper costs about a nickel a sheet. Doing a 4 page flier in a foldover instead of the standard 2 back & front, sets you apart from the crowd & allows you to really tell your bungalow’s story. Here are some things you could include:

A photo & a description of the features of the interior & exterior.
Information about the style of the house.
A concise history of the house.
A list of updates such as plumbing, electrical, HVAC, new paint, landscaping.
A diagram of the layout.
Information about the neighborhood, its history, amenities & character.

2. There are several sites online that promote old houses for sale. If your Realtor will cover the cost, that’s wonderful but even if she doesn’t, I think it’s worth the expenditure to this targeted market.

IT’S ON THE MARKET

NO $$$
1. Keep vases full of fresh cut flowers & or greens. I would skip the artificial ones. If you don’t have anything growing in your yard, ask your neighbors. It’s in their best interest for your house to sell at high value. Keep the water & foliage fresh every day.

2. Keep the entire property spotless. Repeat the BEFORE steps as needed.

3. Keep it fresh. Forget the liver, Brussel sprouts & fish. Unless you live on cinnamon toast & chocolate chip cookies, get even the more mild food smells out fast.

4. Keep kitty’s box clean.

5. Do not use air fresheners. They are just as toxic as fabric softener.

6. Make all the beds every day.

7. Make sure that your towels are fresh every day.

$$$
1. Keep cleaning & refreshing.

2. Fill the house full of cut flowers. If they can come from your garden, so much the better. I make large arrangements that are half bought flowers & half greens from the garden. Change the water often & keep the flowers fresh, replacing as needed.

Fresh. Yep, I said it 25 times & I’ll say it again. FRESH!!!!!!!!!

OPEN HOUSE

1. Ensure your Realtor is going to promote your bungalow on every line that she has. My open was so full of people that we could hardly make it out the door. People were taking turns to see our beautiful bathroom. It was a total party! And it generated 5 offers.

2. Create your display table with the brochures, the history notebook, the home inspection, the reference books tided in a big red bow, (It’s a gift!) any materials about the neighborhood. Maybe tuck your house box under the table for easy access. My Tampa house had been featured in American Bungalow magazine & I purchased a book stand & propped a copy of the mag open to its full page spread.

3. Request that your Realtor place signs up on every major street & if you’re a long way from busier streets, she needs additional signs that guide people to your house.

4. Contact all your friends & invite them to come.

5. This is the day to have new, fresh flowers out.

6. If it’s a hot day, provide tiny, chilled bottles of water for all visitors.

7. Have soft music playing. I prefer classical.

8. Have as many windows open as you can, depending on the weather.

9. Turn on all the lights.

10. Follow your Realtors guidance.

SELL YOUR HISTORIC HOUSE TO THE BEST STEWARD

I am hoping that if you take these steps, you will attract such a flow of qualified buyers that you will be able to take your pick. The woman I chose for the Hare House called me for advice before making any changes & she even flew Jane Powell down from Oakland to consult on the kitchen restoration.

I wish you the best. I also request that you send me any tips that I may have omitted.

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HOW TO DECORATE YOUR BUNGALOW FOR THE HOLIDAYS

HOW TO DECORATE YOUR BUNGALOW FOR THE HOLIDAYS

Wondering how to decorate your bungalow for the holidays? Let this quote by William Morris, the father of the Arts & Crafts Movement be thy guide.

I grew up with a mother dedicated to creating magical moments for her family, & zhuzhing up the place for the holidays every year was high on the list. (Though her credo was,”Less is more,” I’m not going to swear that she was true to it.) In consequence, as the days at the Hare House, my 1910 Craftsman began getting shorter, & the weather started cooling, I was prompted to consider the holiday decorations that the Reverend & Grace Hare might have chosen back in 1910. Though childless, they had family nearby & were of sufficient standing in the community that it would have been expected that they would entertain. The Hares were reasonably affluent, with refined tastes, but they were not lavish spenders. The lot they chose was not on the prestigious Eagle Rock street of Hill Drive. The house had only two bedrooms & a single bath. In the bathroom they chose to use scored plaster instead of tile. The fireplace sported a modest hearth, covered in smooth tile rather than the more ornate Batchelder that was often seen in our neighborhood. I could not imagine that the Hares would change their habits for the holidays. My thought was to follow Morris’ inspiration & choose the simplicity of natural materials from Grace’s garden decorate my bungalow.

PLANNING MY HOLIDAY GARDEN

“The houses were decked with evergreens in December
that the sylvan spirits might repair to them and remain unnipped
with frost & cold winds until a milder season had renewed the
foliage of their darling abodes.”

~Quoting the Druids in CHRISTMAS DECORATIONS FROM WINTER’S GARDEN, The Craftsman Magazine, 1911.

(Read the complete article here. It is lovely!)

My first bungalow holiday in The Hare House, was a year in the making. I moved in in December of 1998 & started thinking about the next Christmas. I had been living in a terrific Mid-Century hillside house in Pasadena. Because the Hare House was built before electricity came to that part of what would be Los Angeles, I didn’t feel like I would do the same celebration with the 50’s colored lights & Blow Mold Santas.

As I planted my garden beds at the Hare House, I thought of Stickley, & wanting to remain “unipped” in the cold winds of Los Angeles, I considered what might be good choices for Christmas foliage for my darling abode. Asparagus ferns are a total takeover nightmare, but I decided to plant a couple to use on the deep mantel & above the built-ins in the dining room. They bounce back even after the closest haircut & provide a nice fluffy element. I am in love with ferns, so I planted a few different types, again thinking of bedecking the halls.

CHRISTMAS DECORATIONS FROM WINTER’S GARDEN also suggested, “Of those bearing bright berries that we can gather from the woods or fields to adorn our homes at this Christmas season, perhaps the general favorite in the East is the holly—in the West it is the toyon. These two glossy leaved bushes of the scarlet berries are too well known to need words in their favor.”

I was lucky enough to have toyons on my property, perennial California native shrubs that had been trimmed into trees. Also known as Christmas berry, I knew that they would provide me with all the red berries that I would need. Fortunately, the tree in back produced a sufficient quantity that I could leave all the lovely, red berries on the tree to decorate my front yard.

When I left L.A. for Florida, I requested that my sister-in-law in California gather toyon berries & bring them to me in her suitcase. I adorned the mantel & sideboard of my 1925 bungalow with the little red berries from California, adding large, shiny magnolia, the tree of the South, leaves to the mix.

I crafted a fluffy wreath out of pine cuttings, added pinecones & a bow & hung it on my door to greet my guests as they entered, after walking up the poinsettia lined steps.

LET THERE BE LIGHT

Though Edison offered strings of decorative electric lights as far back as 1890, power would not come to Eagle Rock until 1914 so I used candles to re-create the simple, but festive holiday home of these people for whom I held such affinity & admiration.

I clipped branches of our huge, old pine which I augmented with branches of other conifers & fluffed up with the ferns I had planted the year before. These I piled the on mantel & the top of my sideboard, & strew across my dining table, then tucked in candleholders of various sizes. I added pinecones & the prickly little pods I’d gathered from the neighborhood. The pods I had sprayed gold & I handled them with care because they were full of nasty little stickers. For color I used batches of toyon berries & pomegranates from my local Trader Joe’s. I had considered apples, but discarded the idea in favor of the richer color of the exotic pomegranate.

My tree was fir. Since childhood my mother had taught me about Christmas trees adorned by candles. Because they came into common use in 1917, & the town where she lived had been electrified in 1911, I’m thinking that she, born in 1919, never got to have the experience of candles balanced on the ends of branches. My mother’s tales of these candles included stories of horrible fires so I didn’t go that route, instead opting for strings of white electric lights which seemed like a good (but sorry) compromise, though quite likely the Hare’s used candles on their tree. I had some of my mother’s childhood glass & celluloid ornaments which I embellished with the ones that I had gifted her over the years.

My mother loved tinsel & insisted that each piece be carefully draped a single piece at a time, over individual branches. Tinsel originated in Germany as strands of thin, beaten silver to reflect the light from the candles. Being affordable to only the wealthy, the next generation of tinsel was made of an alloy of tin & lead. I’m thinking that due to the avarice of the lead industry, which was allowed to continue for decades, both our families suffered the misfortune of handling this material.

The gift wrapping at the time was very simple, usually red or green or white tissue paper, or even plain brown paper. Modern gift wrap was invented by the Hall brothers, of Hallmark fame, in 1917 & it seemed a bit out of place in our simple holiday. I did use cellophane tape though, which was not invented until 1930. String & sealing wax were used prior & I’m an admitted Luddite but with the craziness of the holidays, I didn’t feel like sitting around manipulating hot wax around the noses of overly curious kitties.

”Would we not be entering more into the spirit of Christmas by going out to meet it, as it were, by searching for these aromatic symbols of immortality & bringing them into our homes, rather than by unromantically ordering wreaths, vines & branches from the florist’s.”

My decor was very simple but elegantly brought the aromatic, natural world indoors & clearly conveyed the spirit of the holiday. As I picked up my shears & my grandmother’s woven basket, & headed out to the garden with my pussy-cat, I thought of Grace Hare & my grandmother preparing for their holidays & felt the peace of the season.

ENJOY THE HOLIDAYS AT STICKLEY’S CRAFTSMAN FARMS

The Stickley Museum at Craftsman Farms is a National Historic Landmark & historic house museum, located on the campus of Craftsman Farms in Parsippany, New Jersey. It was built by Gustav Stickley between 1908 & 1917 as the most complete expression of his “Craftsman” style & provides an unmatched opportunity to experience Stickley’s ideas about the impact of architecture, design, & landscape on a meaningful life. The Log House, which was the Stickley family home, will be decorated in period holiday décor & will be open for holiday tours. Their Crafts-Mas Open Houses are: Saturday, Dec 2nd Saturday, Dec 9th Saturday, Dec 16th Their holiday tours of the log house are: Dec 3rd: Tours at 12pm and 3pm Dec 10th: Tours at 12pm and 3pm Dec 17th: Tours at 12pm and 3pm

See you there!

 

Old typewriter

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