The next in a series of hair-raising tales by Eric LaVelle, who not only restores historic buildings & collects & restores historic tools, but also goes into 100+ year old buildings & braves rotting floors & burnt rafters to collect these ancient machines.
He employs old methods & great ingenuity to remove them from abandoned mills & takes them to his shop where he coaxes them back to life & utility. He has been collecting vintage tools for over a decade & I am privileged (& often horrified) to be able to share his stories.
As with the other sections, the links take you to a GLOSSARY or to videos of the machines which show you how they operate. Some of the videos are of old machines, & some are of modern ones when I couldn’t find ones I like of vintage ones.
ERIC SPEAKS
This is post #4 in a series of how I got into restoration. This covers more acquisitions for the woodworking shop.
The business that would become Lapp Lumber Mill opened February 14, 1852, in LeRoy, NY. Members of the Lapp family bought and rebuilt the mill after a fire in 1892. It stayed in this family until the last owner/operator, Joseph Lapp, died in 2009. None of the family members wanted to continue it, so the building was sold.
The mill buildings, view from the street.
This mill made windows, doors, shutters, moldings, flooring, siding, and probably some cabinetry. Almost every 19th century house in LeRoy and some surrounding areas has woodwork made in this mill.
A friend and avid machine collector/user, Bill, decided to help Joseph’s wife sell the contents of the building. He contacted me very early, because the machines were from the era I was buying, and I had watched stuff sell for a number of years and was familiar with values. I helped put a price on it that was reasonable enough that it would all sell. I’ve included some of Bill’s initial photos.
The mill was a time capsule. It was still operating via large lineshafts, which were first powered by either water or steam, then certainly by steam, and then by a couple huge electric motors. I made a deal to buy a two piece lineshaft driven scroll saw and a 36″ circular resaw. These two machines were very hard to find.
L. The 1890’s J.S. Graham 36″ circular resaw. R. The L.S. Colburn scroll saw set up in my basement shop.
The 1880s Jos. O. Colladay tenoner in my basement shop.
Another friend, Dan, bought at least one machine, a tenoner, which was on the second floor. I would eventually buy this tenoner from Dan, but at that time we agreed to meet there and help each other with rigging.
Part of the second floor had been in a fire. The floor was a little shaky, and there were charred rafters above it that had been sistered. We decided we needed to take the machine out the other end of the building. There was a forklift on site.
After helping Dan move the tenoner toward the exit, I went down to start rigging my stuff out. It went mostly without incident, but there’s always something annoying that gets in the way. My personal favorite was the loose board in the dubious floor on the way out with the resaw. It was like one of those cartoon scenes where you step on one end and the other flies up and hits you in the head. Even more fun while pulling on a huge saw.
Dan and I got our machines safely loaded and hauled home.
This article was written by Eric LaVelle, a master restorer of historic houses. He makes the woodwork with a shop full of antique machinery in Belleville, Illinoise. You can visit him on Facebook here.
READ ALL THE STORIES ABOUT ERIC’S ADVENTURES IN COLLECTING ANTIQUE MACHINES!
To understand the challenges of removing the machines mentioned in this article, you need to read about line shafts. They are monster pieces of equipment that back in the day, cost people their fingers, their hearing & probably some lives.
Because of the rickety mill floors & the expense of power equipment, like forklifts, to remove these machines, they were moved with a combination of wits, skill, passion & luck, through the use of artfully placed hand equipment. You can read about this equipment in the article here.
If you are not shocked & amazed by what you see, read it again. There’s something that you didn’t get!
ERIC SPEAKS
The 33ft line shaft. There was also a 20ft line shaft.
I would make a second trip to buy one of the line shaft motors, a 15HP low RPM Westinghouse, from sometime around 1910. I looked at the enormous line shaft, one section 2 7/16″ shaft diameter 20ft long, and the other one 33ft long, and said “I’m glad I don’t have to take that down.” Of course I ended up having to take it down!
It took me over a year to decide to buy the heavy molder, blower, lineshaft drive motors, and all of the lineshaft from Lapp Mill. It was a great deal, but it was at my budget limit, and it was a logistical nightmare. It was 800 miles away from my shop.
The molder.
In November 2010, I went ahead and made the decision to purchase the stuff at Lapp Mill. At the same time, Jim made his purchases, and we decided to go together. I sweet talked Dan into agreeing to haul the heavy molder to Indiana for me at about that time as well. Since we’ve all had a great deal of trouble with winter hauls, we decided to wait until spring for the pickup.
BRINGING DOWN THE 33 FOOT LINE SHAFT
Jim, Bill, and I arrived at Lapp Mill on the morning of Thursday, May 12th. Jim and I had figured out a way to bring down the line shaft with 3 chain hoists and some short lengths of 1/4″ welded link chain. It was rated so that any single chain could support 1200lbs just in case a whole line shaft ended up hanging from one chain. I told Jim, “We’re about to play Be Right or Die, and we’d better be right.”
Chain hoist supporting the line shaft to lower it. We used 3 of these at the same time.
LOWERING THE WHOLE LINE SHAFT FROM THE CEILING
The line shafts and counter shafts had a total of something like 29 pulleys ranging from over 8″ in diameter to perhaps 30.” We used one chain hoist at each line shaft hanger, looping a 3′ section of chain through the base of the hanger, and another 3′ section of chain around the shafting itself. This kept the shaft from dropping on one end or another. We put upward pressure on the shaft with the hoists, and unbolted the ends of the hangers. We then lowered the shaft out of the hangers and onto saw horses so we could remove the pulleys. Bill took the pulleys off and labeled each one. It took 3 of us to carry a 20ft long piece of the shaft to the trailer. The steel shaft alone weighed 320lbs.
20 ft line shaft lowered onto sawhorses. The 33 ft one was even longer & way more cumbersome. And heavy!
It was late in the day, Jim and I were tired, and this last counter shaft had hangers that didn’t have tops that could be removed to lower the shaft. The whole thing had to be unbolted from the ceiling, and lowered hangers and all. The only thing we could use as a lift point (the place where I attached the pulley or hoist to lift or lower something.) In that case, we hung the pulley from a small loop of chain around the 1″ electrical conduit.
First, the line we tied to it was too slack, which would cause it to free fall about 8″ before the line supported it. We left one end of it on the top of that door and Jim unbolted that end first. He began unbolting the other end while on the ladder in front of it. I thought that looked dangerous, and I asked him to unbolt it with his ladder past the end, just in case. I wrapped the end of the support rope around my left wrist on the outside of my glove.
I NEED SOME HELP HERE
As soon as Jim took the last bolt out of the hanger, the counter shaft dropped on his end, the hanger slid off, forcing him to catch it while on the ladder. Seconds later, the other end rolled off the top of that door, that end dropped, spit the hanger off onto the floor, and pulled my left hand into the air, leaving me half hanging there like some kind of giant, dirt coated Christmas ornament. I couldn’t reach the counter shaft with my left hand to lift it and release my right hand, so I said “Uhh…Jim, I need some help here…” as he came down the ladder with the hanger in his hands while being blinded by the halogen lamp shining in his face. When he got down, he pulled down on the rope and released me.
Just another day collecting antique machinery.
READ ALL THE STORIES ABOUT ERIC’S ADVENTURES IN COLLECTING ANTIQUE MACHINES!
This article was written by Eric LaVelle, a master restorer of historic houses. He makes the woodwork with a shop full of antique machinery in Belleville, Illinoise. Visit him on Facebook here.
TIP: Eric’s hair-raising tales express his passion for the antique machinery he rescues from old mills. You can start here!
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This is another thrilling episode of Eric LaVelle’s gallant rescues of old woodworking machines from crumbling buildings.
The links take you to a GLOSSARY or to a page of videos of the old machines in action. Take advantage!
HERE’S ERIC!
It was nearly time to leave the Old Lapp Mill, and I wanted to see the sawdust pit/basement, which Priscilla called the “Alligator pit”.
When her children were young, her husband told them there were alligators down there, and he’d put them down there if they didn’t behave.
In a corner with the least amount of piled up sawdust, I saw a corner sink. I decided to dig and see if there was another one. With a couple scoops, I uncovered yet another sink, this one white marble with a porcelain bowl, and a marble backsplash for it.
The “Alligator Pit.”
[Sawdust is not just highly flammable but can actually explode into flames. After 45 years as a Safety Officer for a wood flooring company, the sight of all this sawdust made my hair stand on end. I have seen someone with terrible scars all over their body from just a small amount of sawdust exploding in a sander bag. The Lapp Mill burned once in the late 1800’s. I guess that they forgot.]
MOVING A 5000LB MACHINE
Colladay sticker molder.
Finally, we had to move the heavy Colladay sticker/molder 11 1/2′ long, 4 1/2′ wide weighing 4000-5000lbs (we think). I named it The Lapp Ness Monster. I think that story was best told by one of the others there, Rick Bruner:
“Now being the inexperienced guy I am, I looked at the molder and thought too bad they can’t get this out of here. Then I realized that was what they were planning on doing. I took a look at the 60 to 70 feet they had to move this through the mill (and not a straight run at that), I looked at the rickety floor boards of which none were tight or level, I looked at the slight but inclined path they had to follow and said to myself – get in your truck and get out of town before the rubber room custodians come and take these guys back.
Rotten, uneven, ancient floors. Scary!
“You see, in my mind, they were either raving lunatics or super heroes and at that point I was strongly leading towards lunatics.
Here the molder is bolted to 4×6 timbers, and pipes are being set under it at an angle to steer it.
“Eric rolls in a little floor jack (I’m thinking what does he imagine he is going to do with that). Well he jacks up the molder and out come a dozen or so 12″ pieces of 1″ pipe and guys are scurrying around placing the pipe under the skids previously bolted to the molder. I again resist the tendency to get out of town because of the human nature aspect of watching a train wreck (you know what I mean). I did try to make sure I was standing in a spot that was reasonably safe when the floor collapsed like I was sure it would.
“So all the pipe gets placed and out comes a 2 X 8 and these guys start levering the 2 X 8 and lo and behold the mammoth molder starts to slowly move – inches at a time. Using the pipe at various angles they were actually able to ‘steer’ the molder fairly successfully. In what seemed like no time the molder was at the door and Dan was backing his trailer up. A few supports to adjust for height and the use of a come along resulted in the molder easily going onto Dan’s trailer.”
All of this took 3 very long days. The amount of physical labor we did was just brutal. I’m used to a fair amount of it, and Jim is used to even more, but we hurt more every day, and the degree of fatigue made it harder to think as well. At one point Jim said, “I feel worse than when I got hit by a car.”
A FINE PIECE OF HISTORY- GONE
The Lapp Mill, 1892
Alas, Lapp Mill is no more. It was later demolished. I believe it could have been an incredible museum if any preservation minded people would have saved it. I ultimately ended up with 6 machines from the mill.
This article was written by Eric LaVelle, a master restorer of historic houses. He makes the woodwork with a shop full of antique machinery in Belleville, Illinoise. Visit him on Facebook here.
READ ALL THE STORIES ABOUT ERIC’S ADVENTURES IN COLLECTING ANTIQUE MACHINES!
These videos show & tell the story of bungalow character defining features, the architectural bits & pieces that separate a bungalow from other houses. They are the features that you expect to see on a bungalow that has been well-cared for, or authentically restored. They are a good guide in planning & performing your own restoration.
The term bungalow refers to the general shape of a building, not its style. In fact, one of the best things about them is that they were built in a variety of styles. This is why you can drive down the street of a bungalow neighborhood & each house is charmingly unique, inspired by a different style from Swiss Chalet to Victorian to Japanesque to Tudor.
I chose this format of conveying this information because it allows you to walk around & through a bungalow, rather than seeing bits of it out of context. I have chosen these particular ones because they contain great information that will help you know a bungalow when you see one, & will hopefully answer the question, “Is my house a bungalow?”
Enjoy the videos!
THE VIDEOS- Bungalow Character Defining Features
“Building with History” – Arts and Crafts Era Bungalow House (6:02)
Brent Hull
Brent trots us through a brief look at the history of the Arts & Crafts Movement, but spends most of his time discussing bungalow defining features. He shows us some bee-you-ti-ful examples of bungalows.
Building & Brews: Arts and Crafts Era (1:08)
Brent Hull
A fascinating, in depth look at the Arts & Crafts Movement.
How this house took over the US (8:20)
Vox
The marketing of the bungalow. An amusing story of how the style made a lotta $$$ for a lotta folks.
Chicago Bungalows: The History and Top Facts (7:35)
The Bloom Group-Keller Williams
The history & details of the adorable style.
If you want to read more about these dear houses, visit my article here.
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My first submersion in Charles Rennie Mackintosh of Glasgow, was at a special exhibit at the Museum of the Arts & Crafts Movement in St. Pete Florida. It was astonishing to see many of the actual items that I had seen in books, only inches from my nose. The life & beauty of each one was overwhelming.
I had known little about the Glasgow School before attending the exhibit. It is an integral part of Mackintosh’s story both in his formative years & later, as his work, when he was commissioned to design the new building for the school.
Like many masters of the movement, Mackintosh had full control over every aspect of the buildings he designed- the structure itself, the furnishings, the art & even the tableware of the tearooms. In this exhibit I was able to view examples of all of them.
The exhibit also introduced me to his wife, Margaret Macdonald both muse & gifted artist. Their marriage was one of equality & romance & together they produced beautiful, innovative works of art. Of her, Mackintosh stated, “Remember, you are half if not three-quarters of all my architectural talents. Margaret has genius. I have only talent.”
THE VIDEOS
Curator’s Perspective: Charles Rennie Mackintosh’s Cutting-Edge Tearoom Designs (1:08:33)
Frist Art Museum
Should you find yourself one day, feeling a little dumpish, & in need of inspiration, watch this video. It is a curated tour of the Charles Rennie Macintosh exhibit I was so fortunate to have seen at the museum. I had zoomed home, eager to know more about Macintosh & up popped this video. It rounded out the experience beautifully! It has a long intro. You might want to start watching at 00:10:00.
1/3 Charles Rennie Mackintosh – A Modern Man (:15:00)
Art Documentaries
A comprehensive look at the influences, the career & the art of Mackintosh, of Glasgow. The following 2 sections of the videos flow into one another.
TIP: For the complete Arts & Crafts experience, watch the videos about the Greene Brothers HERE!
STAY IN THE BUNGALOW KNOW!!!
Sign up for our newsletter & receive our FREE E-book, 7 VITAL Things to Do Before You Hire a Contractor.
The next in a series of hair-raising tales by Eric LaVelle, who not only restores historic buildings & collects & restores historic tools, but also goes into 100+ year old buildings & braves rotting floors & burnt rafters to collect these ancient machines.
This article was written by Eric LaVelle, a master restorer of historic houses. He makes the woodwork with a shop full of antique machinery in Belleville, Illinoise. You can visit him on Facebook here.
ERIC LAVELLE, MASTER PRESERVATIONIST, Part 1
To understand the challenges of removing the machines mentioned in this article, you need to read about 
As soon as Jim took the last bolt out of the hanger, the counter shaft dropped on his end, the hanger slid off, forcing him to catch it while on the ladder. Seconds later, the other end rolled off the top of that door, that end dropped, spit the hanger off onto the floor, and pulled my left hand into the air, leaving me half hanging there like some kind of giant, dirt coated Christmas ornament. I couldn’t reach the counter shaft with my left hand to lift it and release my right hand, so I said “Uhh…Jim, I need some help here…” as he came down the ladder with the hanger in his hands while being blinded by the halogen lamp shining in his face. When he got down, he pulled down on the rope and released me.
“So all the pipe gets placed and out comes a 2 X 8 and these guys start levering the 2 X 8 and lo and behold the mammoth molder starts to slowly move – inches at a time. Using the pipe at various angles they were actually able to ‘steer’ the molder fairly successfully. In what seemed like no time the molder was at the door and Dan was backing his trailer up. A few supports to adjust for height and the use of a come along resulted in the molder easily going onto Dan’s trailer.”
These videos show & tell the story of bungalow character defining features, the architectural bits & pieces that separate a bungalow from other houses. They are the features that you expect to see on a bungalow that has been well-cared for, or authentically restored. They are a good guide in planning & performing your own restoration.
My first submersion in Charles Rennie Mackintosh of Glasgow, was at a special exhibit at the