OUR OLD HOUSES ARE BUILT FROM OLD GROWTH WOOD

OUR OLD HOUSES ARE BUILT FROM OLD GROWTH WOOD

old growth wood houseFrom their framing to their siding to their doors & windows to their built-ins & their flooring, our old houses, are built of old growth wood. Thousands of board feet of it.

“Old growth.” What does that mean?

Let’s have a tree history lesson. Fossils show that the first tree-like plants, with vascular systems that transported water & nutrients, allowing the plants for the first time to rise up off the ground (Think moss.) & to form trunks & branches, developed 400 million years ago. Their evolution since then included the development of seeds & true woody stems.

Then,

Over 300 million years ago: The earliest conifers (i.e., cedar, fir, pine, redwoods & others) appear.
67 million years ago: Evidence of the first maple trees.
56 million years ago: Evidence of the first oak trees.

They continued to evolve & to create the great forests that covered most of America, generation after generation contributing to the next as they produced seeds, died & decayed, becoming part of the rich soil of the virgin woodland.

REDWOODS- THE LONGEST LIVING OF OLD GROWTH WOOD

loggers cutting old growth woodLet’s start with the Redwood, one class being the oldest plants on earth, living from about 800 to 3,200 years. On the west coast, before they were chopped to build our houses, they played an important part in the lives of early indigenous peoples who revered them, building  structures from fallen trees. Native elder Minnie Reeves called them “a special gift from the Great Creator. Destroy these trees and you destroy the Creator’s love . . . and you will eventually destroy mankind.”

When California became a state in 1850, there were nearly 2 million acres of redwood forest. San Francisco was built twice with redwood, before & after the quake & fire of 1906. But the worst was yet to come. During the first half of the 20th Century when California experienced a major building boom, the redwood forest suffered its greatest losses, with trains of lumber heading south as trains of oranges headed north.

Going into the 21st Century, only 5 percent of the old growth forest still stood, thankfully protected on public lands.

In modern times, redwood farms produce wood for lumber, however, this new wood does not have the same high levels of toxic tannins, a type of bitter, astringent chemical compounds which protect the trees from fungus & insects & decrease its susceptibility to rot.

Selective cutting of young trees is permitted on redwood farms but these trees do not have enough age on them to acquire the decay & insect resistant properties of the old growth. If you want the original, old growth wood, you must buy it second-hand, salvaged from old buildings that some uninformed person has chosen to demolish.

OTHER OLD GROWTH CONIFERS IN OLD HOUSES

The Douglas fir forests of the Northwest were treated just as casually. The timber industry, both logging & milling’ developed into a huge industry. The quantities were regarded as unlimited, if they were regarded at all in the push to maximize profit. As harvesting & transportation technologies developed, so did the quantity of forest land destruction increase.

It wasn’t until the 1880’s that conservation of timber supplies was considered. National forests were established & research into good forest practices began.

OAK

Clear cut forestThe Domesday Book of 1086, a survey ordered by William the Conqueror to record his holdings, indicated a forest cover of 15%,  By the start of the next millennium, this coverage had dropped to 5%.

In the 17th Century, as thousands of colonists arrived in the United States from England, they placed heavy demands on the forests taking huge trees, some hundreds of years old, of many species for lumber not only for building but also for fuel. Additionally, they cleared lands for agriculture & livestock.

Additionally, after the Industrial Revolution, potash, potassium carbonate derived from burned wood was in high demand in the colonies & in England where they had already decimated their forests. By the early 1800’s, the pre-revolutionary American colonies were providing England with more than 60% of its potash.

The construction boom after WW I, especially during the mid-1920’s, furthered reduced our forest resources. You can read about pine’s story, in the forests of the Eastern U.S.,  here.

FARMED WOOD VS OLD-GROWTH WOOD

old growth bungalow woodTrees are planted in man-made forests with the purpose of generating a large amount of product, fast. These farms do not replicate the ecology of the natural forest.  Generally they are one species only, & all the trees are planted at the same time. The trees are planted in rows spaced to allow maximum sunlight & water exposure so they grow very fast. The old forests allowed trees to grow slowly, putting on more tightly-packed growth rings

Because of this, new growth wood does not have the strength, stability nor the decay & insect repelling properties of old growth wood- not to mention the beauty. But. stick with me here. I have a theory about additional environmental factors that made the virgin forests a much better place for trees.

The conditions in the old forests had evolved over millions of years. Co-evolution is the evolving of all the parts of an ecosystem to assist each of its parts survive better. i.e., evolutionary change over time, benefiting each interacting member, usually involving different species. Tree farms lack this dynamic. They are the new  kids in school without a support system, not oriented to their environment, & growing in unnatural conditions.

The virgin forest is home to many tree species as well as hundreds of different insects, animals & microbes. All of these organisms have made reciprocal adaptive changes in cooperation with one or more other species, over the millennia, helping one another to survive with greater & greater efficiency.

Old growth forestMuch of this mutual adaptation involves microorganisms, the fungi that break down the fiber of the dead trees & turn them into nutritious soil, but also form a communication network for the trees. Watch this short video by National Geographic that explains how trees connect & share with one another.

Trees do not stand alone, competing with one another for sunlight, water & nutrients. Rather, the forest is almost like a single organism, the different trees interacting with one another, both within & outside their own species, through their roots & the fungal networks that connect these roots. They exchange communication & nutrients through this network, with the larger, old Mother trees forming the hubs. As an example, Douglas firs share excess sugars with the leafless birches in the spring & fall, & in return, the birches send sugars to the Douglas-firs in the summer, via the fungi underground.

Here’s my crazy theory. The health of the human body depends on the quantity & diversity of the microbes that live in the gut. To build a strong, healthy body, one needs a strong healthy microbiome- the colony of microorganisms within the body. This is a lovely short video of 2 Stanford researchers who have discovered much of what is known in this science. They have a big picture of bacteria over the fireplace in their home.

My hypothesis is that lumber from a tree grown in the virgin forest is better, stronger, more stable, more decay & insect resistant not just because it is old & bigger, but because it has grown up with a Mother, a family, neighbors & friends in the form of an active ecosystem that has had millions of years to get it right. “It’s not better because it’s old, it’s old because it’s better.”

What do you think?

FOR MORE INFORMATION ON OLD GROWTH WOOD, VISIT OUR OLD HOUSE RESTORATION VIDEOS- OLD GROWTH WOOD here.

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AMERICAN BUNGALOW MAGAZINE COMES TO CENTRAL FLORIDA

AMERICAN BUNGALOW MAGAZINE COMES TO CENTRAL FLORIDA

American-Bungalow-Magazine-eventWhat seems like a lifetime ago, with a great amount of help from my friends in the 3 areas that make up the bungalow neighborhood of Seminole Heights, in Tampa, Florida, I produced an American Bungalow Magazine event. I had coaxed, cajoled, pleaded with the editor to have genius photographer, Alex Vertikoff come to Central Florida to shoot our houses. I coordinated with 4 other neighborhoods in Tampa, St. Petersburg & Lakeland to make it worth their while to drive all the way across the country. Publisher John Brinkmann came to speak to us at a wonderful event  in our historic church.

I had been a devotee of American Bungalow for a number of years.  They had attended our first home tour in Eagle Rock & published a beautiful article on the Hanson Puthuff house, displayed on the poster to the left.

In my Tampa neighborhood, I enjoyed the privilege of being the magazine distributor. Every quarter the magazines would arrive in a big box, & I would peddle them around the neighborhood at events & meetings & deliver to people’s homes when requested. It was a great way to meet folks, educate Tampa on historic houses & support the valuable work of the magazine.

porch-in-american-bungalow-magazineThe neighborhoods pitched in, volunteering their bungalows for the project. I recruited writers for all the articles & each author (or group of authors) gathered material & researched their areas.

My neighborhood, Seminole Heights produced some beautiful houses & the authors encouraged a woman who had lived in the neighborhood in the early years to tell her story- A Place to Grow Up. Her sweet childhood voice & photos brought those times to life.  I am lucky enough to have another story from her to tell you here, Childhood Pets in My Bungalow Neighborhood.

The article tells the story of how the neighborhood association began- a response to the threatened destruction of many bungalows along one of our central corridors. By the time I arrived 25 years later, it was a powerful force for preservation & revitalization. When I say, “Do something about it,” I have seen firsthand what can be done by a group of committed citizens.

The neatest part about the in article occurred when the editor sent me a proof & there was my front porch in a 2-page color spread opening a piece in my favorite magazine, American Bungalow! There were a couple shots of my living room too, but they were pretty small. Finally, at the age of 60 my dream of being a centerfold was realized! And it was one that I could show my mother!

AMERICAN BUNGALOW MAGAZINE VISITS A HISTORIC FARMHOUSE IN YBOR CITY

In the center of Tampa is a farm with a bungalow farmhouse, built by Sicilian immigrants, Salvatore & Vittoria Giunta, who arrived in Tampa in 1907. Peasant farmers, they hoped for a better life for themselves & their children in American. Work was plentiful in Ybor City in the cigar factories & farms & they worked at a variety of jobs, saving money until they could buy land. Self-sufficient, they raised heirloom vegetables & herbs with which they fed their family & sold the surplus to supplement their income. At one time, this area, now residential was dubbed “the breadbasket of Ybor,” providing food for up to 10,000 cigar factory workers.  After time they purchased more land & in 1924, the house was built just in time for the family to enjoy their Christmas together. The farm up to this day, almost 100 years later, is still being worked by the two granddaughters, who live in the old farmhouse.

Though the farm is a prime piece of property in a very desirable location the sisters stand firm against offers from developers & in 2020, City Council agreed with their request to designate the farm a historic landmark offering some protection against future development. Please watch this beautiful video to learn more about the history of the family & the farm & best of all, to meet the sisters.

Make no mistake about it. This is a farmhouse. The floors are not glossy quartersawn oak but are covered with linoleum & the usual Stickley pieces that you see pictured in American Bungalow are not in evidence. I spent 2 days helping the sisters stage the house for the shoot (No, Alex didn’t know about know this!) I pulled all the family antiques- a charming deco armoire, an old tricycle, a child’s chair, from the bedrooms & arranged them in the family gathering room off the kitchen. A century ago. their father had made a wooden boat to sail down the flooded Tampa streets, & I pulled it from a closet & had a shelf built for it to be mounted over a quilt-covered chair in the corner.

In the kitchen sits a “Nana cabinet,” a traditional Sicilian piece in which were displayed the china, glassware & collectables of the grandmother of the house. This one was built by her son of recycled materials—wood slats from apple crates, curved glass sides from a discarded retail display case & the best part- it is topped with a decorative crown from an old circus wagon offered by a friend who just didn’t think that the cabinet looked complete.

The pieces were just stacked in the cabinet, with no attempt to display them. We spent several hours removing the items, carefully placing them on the kitchen table. I returned them one by one, showing each one to full advantage. These pieces hold the memories of family dinners of 3 generations & deserved to be elegantly celebrated.

The sisters are not artists. They are revered teachers, beloved daughters, dutiful sisters & aunts & hard-working farmers. They were astonished at how I managed to honor their family by displaying their heirlooms & photographs artfully.

It was one of the most wonderful experiences of my life.

The morning after John’s event in my neighborhood of Seminole Heights, he & I went for breakfast at the farm. John toured the house & admired the fields, lush with produce whose seeds were brought from Sicily 100 years before. He played fetch with the farm dog & chatted with the chickens. He was honored to have met the Giunta sisters & honored them in return with this beautiful article.

THE AMERICAN BUNGALOW MAGAZINE PHILOSOPHY

“…it’s not about how big you live, it’s about how genuine you live. That’s what the magazine stands for.”  – John Brinkmann, American Bungalow Magazine

I was thrilled to be able to provide him with the opportunity to visit a family that had lived so genuinely in their farmhouse bungalow for 3 generations.

The plaque installed by the City reads:

In 1907, Salvatore and Vittoria Giunta arrived at Ellis Island from Santo Stefano, Qisquina, Sicily. Like many other Sicilian immigrants, they left behind peasant farming for a better future in Ybor City where work was plentiful. They brought little but their strong work ethic and the seeds of the crops that had always sustained their family. Sicilian families settled on the east side of Ybor beyond the cigar factories and worker housing. They held a variety of jobs, even as laborers on the local celery farms.

After years of work, Salvatore and Vittoria saved enough to buy land at the corner of 11th Avenue and 24th Street, where they farmed their heirloom produce and herbs to supplement their income. They gradually bought more land, and in 1924, built a home for their growing family. Like many of their Sicilian neighbors, the Giuntas grew their own food, raised chickens, baked bread in an outdoor oven, and were largely self-sufficient. The homestead of nearly an entire block contained the house, auxiliary buildings, farm fields and a orchard. For over a century the Giunta family has carried on their farming tradition in Ybor City. The Giunta homestead and farm tells the story of many Sicilian immigrants’ live in Ybor City.

 

TIP: READ MORE ABOUT MY WILD PRESERVATION LIFE HERE.

 

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WHAT IS THE BIGGEST CHALLENGE OF RESTORING AN OLD HOUSE?

WHAT IS THE BIGGEST CHALLENGE OF RESTORING AN OLD HOUSE?

old-houseLong ago, when feebly attempting to restore a Folk Victorian, I discovered that the biggest challenge of restoring an old house is battle fatigue. It’s extremely easy to get disheartened. I know I’m not your mother (Disclaimer: I think I’m everybody’s mother.) but I restored this miserable Folk Victorian & learned some great lessons. I had to, in order to survive! I also had to keep going so that I would lose only $50,000 instead of $250,000.

I started the restoration with a more experienced partner who thought it would be a great project & when it turned out not to be, of course bailed on me. And, not surprisingly, my contractor was a complete bozo who bailed on me too-a blessing in the end.

To make things even more crazy, soon after I purchased the property, the Recession hit hard so my wood flooring company lost over $30,000 that quarter as we feverishly slaved12 hours a day to keep jobs coming in & our guys’ families fed. And every dollar I put into the restoration, working on it in my non-existent spare time, turned into 50 cents. Kind of like black magic. The really awful kind of magic that turns fluffy little kittens into poisonous bufo toads before your very eyes.

WHY DID I TAKE ON THIS CHALLENGING OLD HOUSE RESTORATION?

The wonderful neighborhood in which the house was located, Tampa Heights has a rich & colorful history as Tampa’s first suburb & boasts a large historic district. Most of the houses are lovely Victorians, bungalows, some Med-Rev’s with a smattering of Urban Renewal (Boo! Hiss!) infill. After decades of neglect & resultant blight, it has an active neighborhood association & I was eager to contribute to its revitalization. Additionally, I’d also never put my hands on a Victorian & was looking forward to dolling it up with periwinkle paint & gingerbread. However, the house was in bad shape & the challenge of restoring the old house was ridiculous. Yet, I continued on with the delusion that someday I would have a living room & a kitchen, looking out on the back yard, (which of course was nothing but a patch of tall weeds) like these folks had.

JUST HOW BAD WAS IT?

Here in Florida we joke that the only thing keeping an old house standing is the termites holding hands. Well, that was pretty much the story here. I ended up saving only a tiny amount of the original structure. Everything we touched just turned to dust. Pretty much every piece of lumber had to be replaced-walls, ceiling, floors, windows-everything.

STEPS TO BEAT THE AWESOME CHALLENGE OF RESTORING AN OLD HOUSE

So what did I do in order to keep my wits sufficiently intact to get through this awful mess?

0.  After much weepin’ & awailin’, I reassessed the amount of time, money & attention that the project would actually take. This was a hard one because the original estimation of effort, etc., was about 1/5 of what the situation was.

1. I made a list of the tasks that needed to be done in sequence. Each step that looked scary, I broke down into bite size bits. If they still looked scary. I chopped them up more. This is the important part. The chopping.

2. I evaluated my resources, determining what I needed for each of my steps & wrote a plan for securing items/people/skills that I didn’t have. My contractor was a scumbag who showed up some days but not others & left the jobsite such a mess I got cited by the City & had to buy many materials twice. Hey! This is Florida! If the termites don’t get it, the moisture & the heat will. And Code Enforcement’s riding right behind!

 

There was still a ridiculous amount of work to do, including going backward because we had missed some framing inspections. Here in tropical storm country they take those hurricane clips seriously!

3. Once I was aware of what was in front of me, I focused on purpose. I have been a dedicated & vocal preservationist my whole life. My mother, born in 1919, taught me about the times in which she grew up & about her mother’s life on the farm. I loved those stories & when I grew up expressed this love by preserving the built environment where these lives were lived.

As a neighborhood activist for many years, I know the power of neighborhoods. I had been connected with the neighborhood association from pretty much the first moment I arrived in Tampa Bay. The first house on which I put in an offer was just around the corner. I knew & loved many folks in the area who had put blood, sweat, tears, time, $$$ & heart into revitalizing this terrific remnant of Old Tampa.

4. I took really good care of myself. My inclination when I get stressed is to head for the ice cream & potato chips. I chose veggies & protein instead & religiously took my supplements. I went on at least one walk every day & did my yoga stretches. This point is very important because if you fail to maintain your health, it becomes more difficult to perceive, to think, to make good choices & to maintain your jolly disposition.

The challenge of restoring an old house can make you old. Time & money, the main buzzkills in life are being stretched to the max. Whatever you thought it would cost, you’re going to 3X it. You’re going to sleep less, worry more & even with your PPE, you’re going to be in contact with some grisly stuff.

Yeah, I do think I’m your mama, so watch these videos on health & nutrition. I am so not kidding here.

5. Part of my staying healthy was making sure that I did not expose myself to construction debris. My first walk through of the house resulted in a sinus infection that lasted 8 weeks. I got myself a nice stock of N95 masks & made sure I wore one any time I went in after that. I learned this lesson doubly hard when one day, I stopped by, maskless & decided to just peek in. At that very moment, a wall came crashing down like nuclear blast of mold & plaster dust. And probably cockroach detritus. I was filthy from head to toe. I went home, totally grossed out by the clothes I had been wearing & jumped in the shower. A second 8 weeks of painful nose. I expanded my mask policy to include peeking in.

This is a group of videos about the importance of wearing the correct PPE. It applies any time you are on a jobsite. Whether or not you are performing the work, you are in a potentially unsafe environment.

I kept 1 through 5 going because without those I was doomed. It is too easy to become discouraged during an old house restoration & allow those things to slip. Too busy, just a few potato chips today- I’ll be better tomorrow. Nope! I held firm making sure my special treats gave me the nutrition I need to withstand the stress of running a project 37 levels about my knowledge base. I focused on one task at a time, completed it & moved on to the next. I love check marks & I accumulated them like a miser with his gold.

6. I celebrated every win & tossed the failures out the window. (I had quite a pile!) I stoked that purpose by cruising the internet for gingerbread choices & pictures of restored Folk Victorians to keep me looking forward. Finally, it was time to face the last challenge of restoring an old house- go outside in the Florida August heat, humidity & mosquitos to plant the garden. We’d wait until the sun went down when it was marginally cooler, put on our bug repellent (Mine was olive oil with crushed garlic which didn’t smell too great but made my skin quite lovely.) pick up our handyman, don our headlamps, & work on the dark gardens for an hour. Any longer was unbearable.

And then one day, it was complete & I received my certificate of occupancy & the newly restored house was added to the inventory of contributing structures in the historic district! A few months later, I was awarded a banner from our local preservation advocacy organization for my “outstanding historic preservation project.” My beautiful little periwinkle with plum doors, Folk Victorian!

TIP: Another good one to read before you plunk down your hard-earned cash is HAVING A SUCCESSFUL BUNGALOW RESTORATION, Part 1.

 

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FLORIDA’S HISTORY MUSEUMS & HISTORIC HOUSE MUSEUMS

FLORIDA’S HISTORY MUSEUMS & HISTORIC HOUSE MUSEUMS

Florida-historic-carFlorida’s history museums & historic museum houses tell a 3D tale of the state & the land boom of the 20’s that cannot be fully expressed in any book, though I have to admit that I did a pretty good job in the historic documenatry film I produced!

The financial momentum of the times was astonomical! I am not trying to lure you away from my blog, but this page clearly explains the culture of the times. It is a fascinating & enlightening read.

Welcome back!

A great many of these homes were bungalows, a style not too different from the houses built by the early settlers, with deep porches, prominent overhangs & an abundance of large windows. After several years of coaxing, American Bungalow Magazine came to Florida & featured homes in 4 neighborhoods in the central part of the state. You can read about them on my Instagram page.

DUNEDIN

Dunedin-Florida's-history-museumDunedin History Museum
“Where History Comes Alive”
I love this friendly, quirky little museum. The last exhibit we saw there was “Jagged Lines: America’s Tattoo Tradition,” focusing on the evolution of tattoo art.

The Museum collections contains approximately 2,000 artifacts, 2,500 photographs, & a library of 200 volumes of local & State history. Their permanent exhibits feature statewide topics such as the railroad & citrus industries, but the best ones are regional topics such as Dunedin’s multicultural origins, pioneering families, & even the story of the development of the alligator tank used by the U.S. Marines during WWII in the Pacific.

LARGO

Largo-Florida's-historic-house-museumHeritage Village
Explore this 21-acre living history museum located in its natural pine and palmetto landscape. Included amongst the structures & exhibits is the Turner House, built in 1915, of the Florida vernacular bungalow style of that time period.

The house was bequeathed to the County, along with $100,000 in moving costs & the contents of the 1915 bungalow. Now let me explain when I say contents- 6 pages of documented items, including: “furniture, accessory items, lighting, artwork, mirrors, wall pieces, toys, school memorabilia, linens, clothing, shoes, hats, costume jewelry, kitchen furnishings, tableware, cameras, clocks, radios, fans, china sets, glassware, serving pieces, decorative glass, pottery, vases, figurines, Belleview Biltmore items, sporting goods & more.

Some of the notable items include an 1860 quilt, silver plate flatware set from 1921, state license plates from 1949-1953, a child’s pedal car from 1933 and a 1940 Clearwater High School class ring.”

These items are on display at the museum of the grounds & sweep you into the life of this family whose story is told in photos, maps & sign around the museum. The house is not yet open, needing much work to make it safe, so stop by & pitch in a nice donation so that you’ll be able to actually tour the house in the future.

TAMPA
Tampa-Bay-Florida's-history-museumTampa Bay History Center
A Smithsonian Affiliate museum, the History Center includes three floors of permanent and temporary exhibition galleries in 60,000 square feet, focusing on 12,000 years of Florida’s history, heritage & culture, focusing on Tampa Bay.

It offers many permanent & changing exhibits as well as activities in which you can learn about the area, including:
Docent-guided walking tours of Tampa’s historic sites and neighborhoods,
A monthly book group focused on Florida literature. The event is free with registration,
Florida Conversations is a free, monthly lecture series highlighting research into Florida history,
As well as many activities for children & teens.

Tampa-Florida's-historic-house-museumCracker Country
I discovered Cracker Country, a living history museum of old rural buildings from the late 19th Century, which were relocated to the Florida State Fairgrounds when we had come to see the fair, but I was much more interested in the old buildings & demonstrations of early settler skills than in rollercoaster rides. (Well, not really. I was there for the gardening displays, the crafts & the corn dogs.)

The key features of living in Florida are the heat & humidity & the resultant awful creatures. The homes of Cracker Country display great ingenuity of design in creating dwellings in which people could experience some degree of comfort through shade, ventilation & elevation.

You can see the bungalow in these early designs. Our homes here in Florida, tend to have large porches, & deep overhangs, tall windows & lots of ‘em!

Ybor City MuseumYbor City Museum Tampa Florida

In 1886, when Tampa was mostly pine scrub. cigar manufacturer & entrepreneur Don Vicente Martinez Ybor came from Cuba via Key West to found Ybor City, the “Cigar Capital of the World.” This museum, housed in the historic Ferliia Bakery, (built by another old Tampa family in 1923 after the original building from 1835 was destroyed by fire) & urban park are dedicated to the preservation of Ybor City’s unique cultural heritage.

In addition to their great collection of artifacts, you can often see demonstrations of cigar rolling but the very best part is the film about the area which sweeps you back to the birth of historic of Ybor City.

TARPON SPRINGS
Tarpon-Springs-Florida's-historic-house-huseumThe Safford House Museum
Although the main draw in Tarpon is the sponge docks & commercial/tourist area, I enjoy trotting around the historic downtown area & driving through the old residential areas built in the late 1800- early 1900’s.
A great attraction is the 1883 Safford House Museum, restored to its original Victorian splendor, which was the home of one of the city’s original developers. Listed on the National Register of Historic Places, the house is a fine example of late 19th century Florida vernacular architecture, & complete with period furnishings & family possessions, it provides the full flavor of upper-class living in the state as it was developing.

Take the opportunity to visit Florida’s history museums & historic museum houses. It’s the only way to discover the true flavor of the Sunshine State.

If you’re a local, all these museums & homes need your volunteer skills. Your participation will provide you with a great learning experience & reward you with warm friends as mine did.

TIP: Read my article about the wonderful historic places to visit in Sarasota HERE.

 

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WHY SHOULD YOU PRESERVE YOUR BUNGALOW WOOD WINDOWS, ANYWAY?

WHY SHOULD YOU PRESERVE YOUR BUNGALOW WOOD WINDOWS, ANYWAY?

Bungalow-wood-windowI mean really! Why is it such a big honkin’ deal to preserve your bungalow wood windows? If you’re lucky enough to have wood windows in your bungalow that aren’t painted shut, the dang ropes are broken, the wood is rotting & there’s a cracked pane or two. Rain is getting in, maybe it has for some time. Not to mention heat & cold. What’s to preserve?

And people are so vehement about it, either way. On the old house FB groups there’s a ridiculous amount of high volume contention coming from both sides. And I don’t believe any claims made about the loose morals of anybody’s mother.

Anyway, it’s so-o-o-o easy to just pick up the phone, call a Big Box store (or one of the window companies that relentlessly pop up on your phone because you have searched for window solutions) & presto, you can get nice new ones installed, maybe even out of a fabulous new, no-maintenance material- vinyl. They provide the product, the labor & a 15-year warranty. With increased R-value. And you can pay with a credit card. Poof! Good-bye to peeling, leaking, moldy windows in your lovely bungalow!

SORRY, BUT HERE’S WHY YOU SHOULD PRESERVE YOUR BUNGALOW WOOD WINDOWS

Department-of-the-InteriorThe Preservation Brief 17 of the Heritage Preservation Services’ section of the U.S. Department of the Interior, is called,  “Architectural Character—Identifying the Visual Aspects of Historic Buildings as an Aid to Preserving their Character.” It provides a process to identify the visual characteristics that give a building its unique style- Dutch Revival, Colonial, Mid-Century or, tah-dah!- a bungalow. It explains how the visual character is most frequently determined by the often-related surface qualities of the materials & craftsmanship. The original choice of materials often plays the dominant role in determining an architectural style.

Well, old bungalow wood windows are made of exactly that- wood. An added factor to this is that they are made of old growth wood which is harder, denser & more rot resistant than any windows made today out of farmed, quick-growth wood. They have a particular set of lite patterns & they operate in the same fashion.

But none of this solves your own peeling, leaking, moldy problem so let’s see if I can help.

HOW TO FIND PROFESSIONAL WOOD WINDOW RESTORERS

Preserving-bungalow-wood-windowThese are some dedicated folk who live their lives in service of old windows.  How do you find one? Or for that matter, any tradesperson sensitive to historic materials?

1.     Live in an old neighborhood? You probably have a neighborhood association that could offer suggestions. If you don’t know if there is one, your City website can tell you. They usually have neighborhood departments. If you don’t find one, try groups in nearby historic areas.

2.     Call your local historic preservation advocacy group. I have a woefully incomplete list of them here, but promise that I am working on expanding it.

3.     Call your city preservation office for referrals. If you don’t have one, try county or state.

4. The old stand-by- Google. As with all the ablove sources, it is important to have some knowledge of wood window repair before you start to talking to repair companies. They will appreciate your interest & be better able to help you understand what they will be doing. You’ll be better able to ensure that you get the project that you want.

5. SEE JOHN LEEKE’S BOOK BELOW.
In his book, John Lists over 200 wood window repair pro’s all over the U.S.

DIRECTORY OF WOOD WINDOW PRO’S

Window-Preservation-AllianceWood Preservation Alliance
A group formed to help homeowners who wish to save their windows with professionals who can provide the needed services. They also offer great information on window restoration & train the pro’s in further mastering the trade. They have a page in which you can enter your state & find windows professionals. Many of these guys work in more than one state & even those who don’t are not usually opposed to traveling.

These tradespeople tend to be booked far in advance so I would suggest that you contact them even before you have an executed contract on your house. I have included DIY information for you in case you get tired of waiting. I always encourage people to learn about the various trades required to keep an old house in good shape. You’ll get a better project & you will just feel better about old house stewardship.

John Leeke’s book below also includes a directory.

As always, use my tips on hiring a contractor to minimize your risk, as well as your own perceptions, experience & smarts when you choose the people for this task. I don’t know these people & I’m not recommending them, just pointing!

LEARNING HOW REPAIR THE WOOD WINDOWS IN YOUR BUNGALOW

I am not a hands-on preservationist, but I am a maniac researcher, so when I needed to preserve my bungalow wood windows, I got help from the pro’s to teach my carpenter how to do it.  So, here’s how you can learn & either DIY or, teach someone else with a greater strength & a higher aptitude for construction & more of a willingness to get dirty.

I strongly recommend that anyone hiring a professional know something about the process so you will experience fewer surprises. It will also help you understand the high price tag of this exacting, multi-step process. Or, you could teach your handy-man!

BOOKS ON HOW TO PRESERVE WOOD WINDOWS

Book-on-how-to-preserve-bungalow-wood-windowsOld Windows In-Depth
by Scott Sidler

Scott is a master preservation professional & has written a detailed guide on window restoration. The guide is a clearly written, tutorial showing each tiny step written for the homeowner.

Old Windows In-Depth is nearly 200 pages of picture filled tutorials detailing all of the major information that you’ll need to successfully restore any historic wood or steel window.

The predecessor to this book is the one I used to teach my carpenter how to repair my windows. Scott is very aware of all the little crunchie bits that go into restoring a window that are part of his DNA (Sorry if that’s a weird picture.) but are totally new to us. We didn’t run into any mystery parts  or steps that just didn’t work. Learning from Scott’s materials was smooth as silk.

Restore-wood-windows-bookThe Window Sash Bible
by Mr. Steve Jordan

Read this book to learn why most replacements are unnecessary & why your existing windows will serve you better than any replacements.

Whether you are a homeowner hiring tradesmen, or a DIY-er, this book will teach you how to evaluate your windows & plan & execute the needed repairs.

The book introduces you to the history of windows & teaches you about all the pieces & parts so that you can discuss your windows with tradespeople & fully understand what they are telling you about them.

The basics of wood repair are explained in detail from removing sashes, to installing sash cords to, to replacing glass & muntins to weather-sealing.

preserve-wood-windows-bookSave America’s Windows
by John Leeke
177 pages, 257 illustrations.

John is the O.G. of wood window repair as well all the other trades related to historic preservation.

This book is the new, 2013 edition which covers the newest in high-tech window materials & techniques in addition to traditional methods. He gives you step-by-step instructions in how to maintain & how to repair old wood windows.

Here’s another cool part: He includes a National directory of 200+ window specialists who know how to repair your windows instead of selling you cheap quality windows that you will have to replace in a decade.

And another: If you follow this link, you can request for him to send you digital downloads that you can you right now.

Dare I add one more? He includes his phone number so that you can order directly from him & ask him any questions plaguing your mind about windows.

You’re welcome.

ON-LINE WOOD WINDOW RESTORATION LEARNING

Craftsman-blogThe Craftsman Blog

The Window Course, a step-by-step course to teach you everything you need to successfully restore historic wood windows. You’ll get written posts and dozens of videos for every part of the process. You can see a preview on this page. It shows printed steps & a video demonstrating his tried & true techniques.

Scott offers 3 packages, the most comprehensive of which is about ½ the price of having a window professionally restored. Now, like my own delicate self, you may have an aversion to getting your hands dirty & want to hire someone. You still need to know how to do this! There are many trades for which you will hire people on blind faith & Google reviews, & have no clue whatsoever about the quality of their work. This is not one of those trades. You can learn this & I suggest that you do before you fork over good money to a stranger.

As I mentioned, I used Scott’s book to teach a carpenter how to do this & I learned right along with him. Had Scott offered this video & book package then, I would have bought the ‘spensive one to gain the certainty that would have made the project less overwhelming.

SCHOOLS/WORKSHOPS

Many local preservation organizations  offer workshops in wood window restoration. I recommend that you become a member so that you can stay informed of every program that they produce or promote. Follow me on Facebook because I try to announce workshops of various topics there.

Belvedere-School-PreservationBelvedere School for Hands-On Preservation
Hannibal, Missouri

For decades Bob Yapp has delivered hands-on preservation workshops all over the U.S. In 2008 he founded the Belvedere School in Hannibal, Missouri where he trains students to be artisans in the historic preservation trades.

His school is housed in a 5-story. 7,950 square foot 1859 Italianate house which was in deplorable condition when he discovered it. He has used it as a laboratory to teach students hands-on restoration skills. Now that the house is mostly restored, itself is mostly restored, his students now do the hands-on work on their neighbor’s neighbor’s historic houses in the Central Park National Historic District in Hannibal, Missouri.

If you are ready for a totally immersive experience, attend a workshop at whatever level of physicality suits you. Stay at his wife’s bed & breakfast in the restored house, play billiards in the parlor & fortify yourself for the workshop day with a delightful homemade breakfast.

Craftwork Training CenterCraftwork-wood-window-courses
History Reveals Methods and Materials which are Lasting.
We Teach using Knowledge, Time, and Practice to perfect your art.
Telford, Pennsylvania

Hosted by LimeWorks, a masonry material manufacturer, Craftwork Training Center holds training workshops throughout the year to teach people to properly use their products & to understand proper architectural restoration of masonry- plaster repair, repointing brick & stone, surface repair.

They also have workshops that teach the skills needed to restore & repair wood windows.

Their objective is to educate people so that they can enter the trades as professional & earn a good living, however, their classes are appropriate for a homeowner. Give them a ring to find out if any particular classes would be right for your skill level.

vintage-televisionYOUTUBE

I have saved some great videos to my channel, many of them made by the experts mentioned about. This is a great way to get oriented to the subject of wood window repair. Watch several of them! Paired with a book, you’ll earn your degree in wood window repair.

I also have many videos on many preservation subjects, each one teaching you more about your bungalow, it’s history, its construction, its possibilities.

BACK TO YOUR BUNGALOW WOOD WINDOWS

Yes, I think that you ought to restore them. If they are past the point of no return, you can build new ones using old growth lumber which is harder, denser & resists rot to a greater degree than quick growth, farmed, newly harvested wood. You can generally get this wood from a local salvage yard & have it milled into window pieces that you or your handy carpenter can join yourselves. Carefully save the glass from the old windows to install into the new frames. Both you & the kitties will enjoy that wavy glass view into the garden.

TIP: TO FIND OUT MORE ABOUT OLD GROWTH WOOD, WATCH SOME GREAT VIDEOS HERE.

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BUNGALOW: THE ULTIMATE ARTS & CRAFTS HOME

BUNGALOW: THE ULTIMATE ARTS & CRAFTS HOME

by Jane Powell, author & Linda Svendsen, photographer

BUNGALOW-The-Ultimate_Arts-&-Crafts-HomeThis book, BUNGALOW: THE ULTIMATE ARTS & CRAFTS HOME, was Jane’s most impressive work & it is majestic, with 285 large, glossy pages. She referred to it as “The Big Book of Bungalows” & I’m not certain that she was enthralled with the publisher’s final choice of title.

Hewn & Hammered’s review of the book opined, “The book is written with humor and warmth, never taking its subject matter too seriously, which is a welcome alternative to many other books in the genre that treat these buildings as museum exhibits before their original purpose (and, in most cases, only purpose) as homes.”

A quote from an Amazon reader: “This is my first contact with Powell/Svendsen’s books, and while it is indeed coffee table size (it needs to be large to accommodate the beautiful photography) it is so charming and readable that, without so intending, I READ it (in one sitting, yet). We have several other books of gorgeous bungalows, many with the same houses as subjects, with accompanying commentary equivalent to dry stale cornflakes; this one is crumpets and cream. Like others documenting bungalow style architecture, this book is not intended as a construction or instruction manual, but as inspiration. For admirers of bungalow style and for those seeking a picture to replace the thousand words BUNGALOW: THE ULTIMATE ARTS & CRAFTS HOME is an easy choice.”

While her other books are much more instructional, there is much factual information to be gained from reading this book. Jane is an amusing teacher so you don’t notice at all that you are sitting in class.

FOREWORD TO BUNGALOW: THE ULTIMATE ARTS & CRAFTS HOME

American-Bungalow-Magazine-image-the-stairway-of-the-author-of-Bungalow-the Ultimate-Arts-&-Crafts-HomeJane introduces the book with some beautiful shots of bungalows by Linda Svendsen, including the impressive staircase of Jane’s bungamansion, the Sunset House in Oakland. Walking up these stairs, so sexy that they made the cover of American Bungalow, photographed by Alex Vertikoff, is an awesome experience. I wish this word had not been appropriated to mean, “like, totally cool” because the huge Doug Fir staircase is truly, “extremely impressive or daunting; inspiring great admiration, apprehension, or fear.” The workmanship is masterful, the dark wood lovely, & when you walk up these stairs, you are cocooned in the world of the wealthy 100 years ago. (Jane mentions, the builder was the owner of a lumber company so he got the wood wholesale, but still.)

As Jane says about it, “… this book deals with the philosophy, history, & influences that led to the bungalow as we know it in North America. Don’t worry, it’s not very scholarly. Most it’s a celebration of bungalows & everything on them & in them, & the Arts & Crafts movement they represent. I think that you will enjoy the ride.”

And by “ride” she meant a purple PT Cruiser. Mine was red.

CHAPTER ONE: THE COLOR OF WIND

This chapter addresses, what is a bungalow? Well, it originated in India, & ended up in California inspired by a socialist design movement in Britain in the late 1800’s. Explaining that architecture isn’t simple, she answers this question by encouraging us to “Think outside the chicken” -by reading her book & viewing the images, we will just come to KNOW. It worked for me & whenever I feel wobbly, I come back to this book to get straightened out.

Going Native

A full description of the original bangala & the modifications made by the Europeans.

Getting Away From It All

The Industrial Revolution in Britain brought nostalgia for an idealized agrarian past.

The Seeds of Change

The Arts & Crafts Movement sprouts from the reverence for nature & ideas about design, & social & political reform.

CHAPTER TWO: IN FULL FLOWER

We learn about William Morris, the father of the Arts & Crafts Movement. There is a lovely quote about Morris which describes his many artistic passions & ends with, ..”& then he’ll do I don’t know what, but every minute will be alive.”

In my world, there is no greater compliment.

Pages of beautiful photos bring the copy to life as you learn to “Think outside the chicken” & begin to understand the soul of the bungalow.

Art for Art’s Sake

In this section Jane describes the Aesthetic Movement, which paralleled the A & C Movement, had the same roots & the same folks involved, but lacked the political & social philosophies of the latter.

I must admit to a great attraction to this design style. I see so much of the Arts & Crafts philosophy in the Aesthetic Movement & I really like their take on it. I especially like how its contrast of intricate small patterns inspired by nature complements the chunkier, more simple design of Arts & Crafts sharing the same inspiration.

In the Hare House, my Aesthetic collection adorned the dining room plate rails. In Tampa, I re-created the original divider shelves to display them.

The Bohemian Life

Jane is still in England, writing about the bungalows at the seaside that have acquired a bohemian reputation, representing a more simple life.

She stresses the fact that most of the Arts & Crafts houses were not bungalows, but looked to medieval designs for inspiration. It took Stickley to bring Arts& Crafts to America for it to assume it’s, uh, American form.

CHAPTER THREE: SMILING LAWNS & TASTEFUL COTTAGES

The Centennial Exhibition, held in 1876 spurred motivation for developing art & architecture that display American pride, though many bungalows clearly show European & Asian influence & you will see many images of this.

Global Inspiration, Indigenous Style

With the log cabin as inspiration, the bungalow was often more rustic. Jane continues on to describe the American flavor &unique local features found in bungalows across the country- with more of Linda’s lush photos.

CHAPTER FOUR: POPCORN & CAPITALISM

Ah! California, where the bungalow reached its full potential. She visits Northern & Southern California & it is here where we see my house in Eagle Rock.

The Ideal Home

In this section she writes more about plan books & other publications as well as kit houses. The building boom of the 20’s was spurred by the street car, then the automobile.

Freedom of Assembly

More pre-cut buildings from a greater number of companies continued the bungalow boom. I must stress again that the images tell much of the story! You are seriously missing out by not having this book! Clinker bricks, limestone columns green-stained shingles & granite piers, Oh my!!!!!!!

Icon & Irony

More amazing photos & a look at how the A & C Revival has outlasted the original Movement. Hey, I’m glad that Stickley is getting the admiration & recognition that he did not receive in his later years. And while it’s on my mind, let me suggest that you watch this incredible documentary Gustav Stickley: American Craftsman. 

CHAPTER FIVE: ON THE STREET

Bedroom-pictured-Bungalow-the Ultimate-Arts-&-Crafts-HomeThis is the longest chapter of BUNGALOW: THE ULTIMATE ARTS & CRAFTS HOME & I don’t want to wear you out, so I’ll cover it in one section.

The porch, part of the Arts & Crafts ideal of the melding of nature with the indoors. The entry welcomes guests to enter & sit before the hearth. We see some beautiful fireplaces here of tile & of brick in various patterns. She goes to on talk about dining rooms showing an abundance of beautiful built-ins & rich wainscoting, including mine, the Hare House, on page 202. I had received the Roseville candleholders as a gift from the president of my neighborhood association who had fought valiantly with me against Walgreens. Being a bunny maniac, I paired it with the faux Roseville bunny vase which contains the most beautiful flower arrangement that I had ever done. In the heat of getting ready for the shoot, I had neglected to put water in the vase & the flowers barely made it through the day!

She has a couple chunky sections on kitchens & baths, though her Kitchens & Bathrooms book cover the subject more fully. The section on bedrooms has a full-page spread of my bedroom on page 238, despite Jane’s grousing about the room’s Victorianess. The man who built my house, the Reverend Alfred Hare was known as a church leader who would leave each congregation with a fully paid mortgage for their building, so I couldn’t really see him as a man who would fork out good money to replace a perfectly good brass bed. (And Jane herself was a great fan of the backstory.)

In the photo you can see my collection of embroidered cat pillows, (with my little Bukhai whose sweet story you can read here, snoozing on the soft comfie bed) my grandmother’s picture on the wall, my mother & uncle’s pictures on the dresser & my grandmother’s confection tin in which she kept her clean hankies. And the hankies were in there too!

After I moved to Florida, a new friend, whom I had met at an event I had produced for Jane, was getting the tour of my Tampa bungalow. When we entered my bedroom she became very confused saying, “It’s déjà vu. I have been in this room before. It’s déjà vu!” I feared that we were going to need to bring out the smelling salts! It took me a moment to realize that she had seen the original room in the book which she had purchased at the event. Being a kitty fan, she had loved  & remembered the cat pillows.

CHAPTER SIX: STEWARDSHIP

Here’s where Jane & I shared a soul. And, I guess it’s why I want you to read her books. So, read ‘em, & also head on over to the section on my blog, PRESERVATION GROUPS. It is a work in progress & you are so-o-o welcome to let me know about others to add.

Jane’s rallying cry was, “DO SOMETHING ABOUT IT!” & as a staunch preservationist, I stand with her on this.

CHAPTER SEVEN: THE IMPORTANCE OF BEAUTY

This chapter is Jane’s Random Musings.
Q. What did the Buddhist say to the hot dog vendor?
A. “Make me one with everything.”

BUNGALOW: THE ULTIMATE ARTS & CRAFTS HOME-IT’S ALL ABOUT MOI

The Big Book, (Jane’s name for it) AKA, BUNGALOW: THE ULTIMATE ARTS & CRAFTS HOME, is my favorite  because it contains so many images of the house I lovingly restored & left behind in California after my crushing defeat in my fight to save a neighborhood building. Jane & Linda & I spent the day shooting which was fun & exhausting. I waited with great anticipation for the book to be published so I could see my house as well as the other houses in the neighborhood which Jane & Linda had shot several months earlier- dodging the Halloween decorations that had adorned many facades. I was pleased to see my house so well represented & amused by some of the accompanying copy.

The exterior of my house is pictured on page 107, with another from my neighborhood. The Arts & Crafts clubhouse of the Woman’s Club to which I belonged is on page 100. The sisters of the man who built my house raised the money to erect the clubhouse by performing the skits & songs that they wrote. 100 years later I had the privilege of walking in a fashion show to raise money to restore & preserve that same building.

My sunroom is pictured on page 161 with a Moroccan table which was recently pitched after out attempt to rid it of termites. (I live in Florida now! If you have any clue as to how I might be able to get another one of these, Please let me know.) My living room is on page 181. I sold the couch & matching chair when we left Eagle Rock because it was painfully uncomfortable. We had to take it apart to get it out the door & there was a dead, fossilized rat in it. That wasn’t in any of the books!

To buy this book, you’re going to have to search for it in the various on-line booksellers. KITCHENS is available in Kindle but the rest can require some sleuthing. My fingers are crossed that the rest will be Kindled soon.

READ ALL JANE’S BOOKS ABOUT BUNGALOWS!

BUNGALOW KITCHENS
Restoring the heart of the home.

BUNGALOW BATHROOMS
Everything you need to know to restore or create a beautiful & functional bungalow bathroom.

BUNGALOW DETAILS: EXTERIOR
What makes a bungalow.

BUNGALOW DETAILS: INTERIOR
Your inspiration for a beautiful home.

& last but not least

LINOLEUM
It’s not vinyl!

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