OLD HOUSE RESTORATION VIDEOS- Inside a Historic Bungalow

OLD HOUSE RESTORATION VIDEOS- Inside a Historic Bungalow

Character is defined as all the qualities & features that make a person, groups of people, & places different from all others. In architecture, a character defining feature is any element, including the overall shape of the building, its materials, craftsmanship, decorative details, the interior space & any feature of it, as well as the individual aspects of its site & environment.

These videos focus on the character defining features that are typical inside a historic bungalow. They are the visual clues that the house is a bungalow & they differentiate it from other types of houses. They are the elements of the interior, that make a bungalow, a bungalow.

WHAT THE HECK IS A BUNGALOW, ANYWAY? focuses on exteriors, but in these videos, we are stepping through the door. You will notice that all the features, in & out are are in harmony.

LET’S GO INSIDE A HISTORIC BUNGALOW- OR THREE!

Moldings for an Arts and Crafts Home- Authentic details you need to understand. (12:00)
Brent Hull

Brent Hull, master craftsman, shows us the millwork that gives the bungalow its charm.

Craftsman Style Interiors- Key characteristics (5:19)
Hoosierwoodcrafts

A short introduction of the key characteristics of the interiors of the Arts & Craft Style created by Gustave Stickley.

Impeccable 1911 Craftsman + Bonus Space in Pasadena | 126 N Meridith Ave (3:03)
Backbeat Homes – Clarkliving

Inside a historic bungalow in Pasadena. The fir woodwork is gorgeous!

Touring Charming 1914 Craftsman | This House Tours (13:07)
This House

View the details of a beautiful American Craftsman house in Webster Groves, Missouri.

TIP: I have curated a great collection of videos for you that are both entertaining & information. Enjoy!

I would be thrilled to see images of your interiors, so please contact me if you would like to share your pride & joy bungalow with the world!

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OLD HOUSE RESTORATION VIDEO- I love historic linoleum.

OLD HOUSE RESTORATION VIDEO- I love historic linoleum.

Old linoleum flooring videoWhat’s not to love about historic linoleum?

It is made from flax. My favorite fabric, made from the same plant, Linum usitatissimun, is linen, cool & elegant. And expensive. I’m always a fan of expensive.

Another ingredient of lino, pine resin takes me back to my six year old self, a tiny desert cowgirl, visiting Northern Arizona for the first time. After a life of looking at nothing but sand & cactus, the miles of tall pine forest I saw out of the windows of our car, were so, so green & so beautiful. The smell of the pine trees was enchanting. We pulled over at a rest stop & amidst all this towering wonder appeared a speckled fawn. Little girl heaven!

I grew up walking on linoleum, its smooth, clean coolness a welcome relief to my tender feet after running barefoot outside in the blazing sun. But it was Jane Powell’s book, LINOLEUM, that tipped me over the edge!

Lino can be passed over because, being made of natural materials, it costs more than vinyl, but the 2 products in no way compare as far as quality. For wet, high traffic areas, it cannot be surpassed in utility, healthfullness or charm. If you should be unfamiliar with the material, you’ll enjoy learning about it from these videos. If you’re a fan of old linoleum, you’ll find them entertaining & you might even learn a little bit.

Linoleum flooring is cool, actually (6:34)
Vox

Well, yeah!

Forbo Flooring Systems – Making linoleum is like cooking with natural ingredients (4:23)
Forbo Flooring Systems

The art of making Marmoleum. A fun & informative video!

 

Preserving 100-Year-Old Linoleum! (0:45)
Tenement Museum

Watch conservators cleaning & moving a 9’x12’ linoleum carpet.

See my other great collections of bungalow videos here!

 

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ARTS & CRAFTS LIGHTING- Introduction

ARTS & CRAFTS LIGHTING- Introduction

BUNGALOW LIGHTING DESIGN BASICS

This article will cover residential illumination, with emphasis on bungalow lighting design basics. We’re going to look at types of lighting, as they could be applied to your unique home.

Many years ago, I did a survey of homeowners, seeking to understand what they considered to be their most important goals when decorating their homes. Soon after, a similar survey was conducted by the National Wood Flooring Association. Combining the results of these two surveys was wonderfully illuminating. (Pun intended.)

My survey results showed that people placed great value on beauty- highly prized as contributing to the quality of life, in the Arts & Crafts philosophy.

The second valued attribute was warmth, a visual manifestation of the human connection. We style our homes to be welcoming, to be safe havens of comfort & regeneration for our families & our friends. We want our homes to express us, to tell our individual stories. To help us connect.

The NWFA’s questioning uncovered the desire for design that is beautiful &, “evokes an emotional response.” Once again, the human factor, the wish to communicate, the desire to be heard & understood by others.

The warmth & beauty are built-in to the basic design our bungalows. No one (at least no one reading this article!) can deny their own, emotional response to the beautiful features of a historic bungalow.

Craftsman bungalow lighting design basics

So, how can we enhance the warmth, the emotion, the beauty in our homes? How do we make our living spaces express our individual voices more clearly & eloquently? How can our homes contribute more profoundly, more richly, to the lives of our beloved family members & our dear friends, in the simple design choices that we make?

Well, here’s how you can put a little more light in their lives!

AMBIENT LIGHTING IN YOUR BUNGALOW

The first to consider is general, or ambient (defined as existing or present on all sides: encompassing) lighting. This is the type that provides a general, uniform illumination for the entire area, allowing you to be oriented to the space & to move about safely. During the day, this is usually provided by windows.

Our bungalows tend to have deep porches & overhangs. We also often have large, mature trees which block the sun, so the illumination provided by our windows is not always bright. When many of our homes were built, we were not accustomed to the high wattage of today’s lighting & such illumination was sufficient. In fact, our houses were planned to be at their most attractive under the softer, more subtle glow of the lighting of the times. Window coverings typical to the period allowed this natural light in, providing layers of blockage for privacy & darkness.

Our fireplaces contribute to the ambient light. At one time, they would have provided a main source of visibility & warmth. The family would have crowded ’round after the sun set for warmth, comradery & entertainment, as well as illumination. (I cannot but compare a similar scene today- the family sitting around the big screen TV, in the cold glow of its blue light, each person mute & staring, some looking at their phones.)

The study of my Eagle Rock home, the Hare House had a small fireplace in addition to the main fireplace pictured above. The first resident, Alfred was both a minister, leading a congregation & an attorney with a thriving law practice in downtown Los Angeles. Though he had sisters who lived nearby, & both Alfred & Grace were very active in community affairs, they were childless & I imagine that, at times, she may have gotten lonely. I can easily picture Reverend Hare working at his desk there in the evening, perhaps with the added help of a gas lantern, to keep his dear Grace, company. Perhaps she knitted for one of her charities or aid groups?

TASK LIGHTING

Reading by the fire was a common pastime which we would find rather uncomfortable now. After our homes were wired for electricity, we eagerly employed lamps to read & write, to cook & wash dishes, to shave, to accomplish the many tasks inherent in daily living. I’m in hearty agreement! Should I need to read a set of tiny directions, or figure out what my cat has in his mouth, I want light & plenty of it.

Task lighting has different functions in various rooms. Probably most people don’t read in the living room these days, & for many, reading means looking at a lit screen, but some folks actually read print books & it’s handy to have light directed at it. Too bad that there’s no sheet music in this piano image because it’s such a perfect example of task lighting.

In the kitchen, task lighting is crucial for safety, hygiene & perfect caramelization. And for identifying which children are yours.

BUNGALOW-DETAILS:-INTERIOR-by-Jane-PowellLet me be perfectly clear here about the use of can or recessed lights. Nope, no way, no how! IN BUNGALOW DETAILS: INTERIOR, Jane says,” DO NOT ALLOW RECESSED CAN LIGHTING INTO YOUR BUNGALOW!”

She obliviously felt that you needed to defend yourself from this type of lighting at all costs. Jane goes on to say, “There is nothing, NOTHING that screams ‘late twentieth century’ more than a recessed can light- I don’t care how many lighting designers tell you they are ‘unobtrusive…’

“There was no track lighting either, nor were there fancy Italian-design halogen lights suspended on wires.”

That takes us to-

ACCENT LIGHTING/A VITAL BUNGALOW LIGHTING DESIGN BASIC

This is how we define the room. Against a dark background of wood, accent lighting creates atmosphere, forming multiple layers of depth. It draws the eye from one point of illumination to the next, create sculptural vignettes, enhancing the aesthetic & intimacy of the room.

Here we see a beautifully illuminated room. The lighting is layered- there is ambient lighting coming from the windows, complete with a cozy kitty, & table lamps which serve as task & accent lighting. You could easily read in the cushiony chairs beside them & they highlight the textile to the front, & the teddy on the window seat. Notice the signature acorn pulls of RAGSDALE, Mission Style Oak and Mica Lamps and Lighting, a modern master about whom you can read in Part 7.

The beauty of layering that it imparts a warm glow throughout the room. There are no abrupt changes that force your eye to readjust to different areas, yet, there is enough variety to keep it moving & interested.

This article is just the beginning! To become a master of bungalow lighting, keep reading!

Historic lightbulbPart 1, OUT OF THE DARKNESS
Lighting & your DNA.

Historic lightbulbPart 2, THE CRAFTSMAN MAGAZINE LIGHTING ARTICLE
Tips on utilizing this new technology in the home.

Part 3, THE LIGHTING OF THE A & C ERA
How lighting expresses the philosophy & aesthetic of the Movement.

Part 4,  ARTS & CRAFTS LIGHTING DESIGNERS
Taking a look at how this new technology provided a market & how the market was served.

Historic lightbulbPart 5, WOMEN IN ARTS & CRAFTS LIGHTING
2 women who contributed to the Movement with their beautiful lamps.

Historic lightbulbPart 6, ANTIQUE ARTS & CRAFTS LIGHTING RESOURCES
If you want something authentic, but not a museum piece.

Historic lightbulbPart 7, MODERN DAY ARTS & CRAFTS LIGHTING MASTERS
Craftsmen honoring the tradition.

Historic lightbulbPart 8, REPRODUCTION ARTS & CRAFTS RESOURCES
Another beautiful option.

 

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THE BENEFITS OF HIRING A PROFESSIONAL WOOD FLOOR SANDER/FINISHER

THE BENEFITS OF HIRING A PROFESSIONAL WOOD FLOOR SANDER/FINISHER

Why would you hire a pro? It’s expensive. It’s a pain in the #@& to have strangers roaming about your house. Maybe they won’t do an good job.

Here’s why I think hiring a professional wood floor sander/finisher is a dang good idea. (From my experience as an old house lover & a wood flooring business owner for 45 years.)

Woman talking on phone 1920's0. When you hire a pro, you acquire a friend in the biz.

I answered the phone for 45 years & guided homeowners through the process. Sometimes their call was premature- they had other issues to be addressed. I always quizzed them about their most recent termite inspection, signs of moisture intrusion, their allover restoration plan. If they lacked a plan, we put one together. The longest time I ever walked someone through the process was 2 years & 3-6 months was not uncommon.

I also took the opportunity to dissuade people from making unfortunate decisions such as refinishing perfectly lovely floors simply to change their color. I sold my business but I had a website full of great information & links & was able to educate them on how preserve their old houses. Now I write this blog!

I wanted to make sure that if they were taking the step of hiring a professional wood floor sander/finisher, that they were getting everything that they needed to get the best floor possible & to make the experience as smooth & pleasurable as it could be. It was a fun job!

Badly stained maple floor1. You get the benefits of their experience. Pro’s have made all the mistakes already & don’t have to go to school on your floor.

The first floor my husband, Dennis sanded, at my vintage clothing store, way back in the early 80’s, was maple, which is a very hard wood. He learned how to refinish by going to the library & studying books. He was a chemistry major in college, which gave him a bit of a jump on coatings-stains & finishes- but his only experience with wood was as a sophomore in high school wood shop & he wasn’t very good at.

None of the books he read at the library, mentioned anything about the different species & their requirements & characteristics. I was young & foolish & specified a medium dark stain. A pro would have encouraged me to forego the stain to allow the full beauty of this finely grained wood to be displayed, but my husband wasn’t even aware that it was maple! And he certainly wasn’t aware of how difficult it is to get an even stain on maple because of its uneven porosity.

Fortunately, he realized that he needed to know more than the books could teach him, & called a pro company at random out of the Yellow Pages. Wildly, the person who answered lived right behind us & graciously stopped by to help. The pro suggested that we rent sanding equipment from him & gave Hubby some good tips on using it, which was what saved the project. (Two years & 100 floors later, my now educated & skilled husband critiqued this first effort & gave it a C-.)

Which leads me to:

Professional wood floor sanding machine2. Pro’s have state-of-the-art equipment that they keep well- maintained & calibrated.  Since the 20’s, sanders really hadn’t been improved much but they were miles above the tools you could rent at the time (early 80’s) Hubby first started. The rental machines were extremely under-powered & just chomped the heck out of floors. Slowly & arduously, you understand, because of the lack of power.

During our 45 years in the business, we went through 4 major iterations of equipment. With each new development, we would replace perfectly workable sanding machines for new, ever more expensive & sophisticated machines that could make a floor flatter while removing less of the surface.

Our equipment was maintained religiously. An uncalibrated machine can bounce over a floor making waves that are impossible to remove. Rental company employees just don’t maintain their equipment. They probably don’t know how & it’s not theirs, so they tend to be a bit casual about it. Hiring a professional wood floor sander/finisher means that the machines that they will be using belong to them- it was our $15,000 that bought each one & we wanted them to operate well & have long lives. At least until it was time for the next upgrade!

3. They use the best products & have working relationships with product manufacturers Many pro’s have attended their training programs to achieve better knowledge of their particular products & equipment. Generally, folks who hold these certifications are conscientious & professional.

Bona, a stain, finish & equipment manufacturer offers such a program. Bona was a pioneer, way back in the 80’s of low VOC water base finishes & soon after, began manufacturing low VOC oil based stains & oil based polyurethanes.

Students who are pre-qualified by a local manger, must have at least 3 years experience & it is required that the company have been in business for 5 years. They are required to carry commercial liability insurance which protects the homeowner from any damage to a home that might occur from their work. (We had a decent amount of work paid by this type of insurance from floods caused by plumbing fiascos!)

In addition to attending their school, in Aurora, Colorado, member pro’s receive technical support in the field.

NWFA professional wood floor sander/finisher badge4. I seem to have wandered off product relationship & wandered into training. While everyone learns through experience, training under master craftsman takes skill to another level.

Lagler, an equipment manufacturer also offers training & certification. In the class, students learn to master their machines, including advanced sanding techniques & the use of correct sandpaper grits at each stage. One benefit of this study is that the craftsmen learn to use operate the machines more efficiently, greatly reducing time spent on the job- & in your home!

The National Wood Flooring Association is the organization that sets the standards for the trade. They have researched & developed the most effective techniques & offer training in installation & sand & finish as well as educating inspectors who help homeowners when a job goes bad. Just holding a membership in this organization shows commitment to professionalism.

5. All these things mean that your floor will be finished in much less time than if you are going the DIY route. It also means that your floor will have a longer life because rented equipment in the hands of a novice can mean that more wood is likely to be removed. An experienced, trained hand is a gentle hand, very important in preserving our old-growth wood floors.

THE FINE PRINT ON HIRING A PROFESSIONAL SANDER/FINISHER

That being said, as much as you will benefit from hiring a pro, not all of them are alike. You must perform your own due diligence, to ensure that the one you choose has the above attributes. I strongly suggest that you-

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ARTS & CRAFTS LIGHTING, Part 1

ARTS & CRAFTS LIGHTING, Part 1

OUT OF THE DARKNESS

ancient lampThe desire for lighting is in our DNA. Our circadian rhythms, our bodies’ clocks, determine the patterns of our bodies, our minds & behavior over a 24 hour cycle & respond to light & dark. Light exposure generates signals from our brains, releasing hormones that keep us awake & perky during the day. Darkness activates sleep hormones.

Early man slept when it was dark & trotted about hunting & gathering when it was light. But, as civilization developed, his activities expanded & he wanted to be active after the sun went down. He wanted to be able to see inside his cave.

Almost 130,000 years ago he learned to control fire, which was also handy for warmth & for cooking. It took another 100,000 years for him to make the first lamps, which employed animal fat as fuel. It wasn’t until 4500 B.C. that he invented the oil lamp which uses liquid oil, contained in a vessel, with a textile wick that is dropped in it. The top of the wick is ignited, producing a flame as the oil is drawn up the floating wick.

Following that leap in technology, lamp evolution pretty much stagnated for thousands of years. The American colonists used lamps that weren’t that much different from those used in biblical times- smokey, faint lighting, giving off little more light than candles.

Victorian LampThe kerosene lamp was developed in 1850 & was used until electricity took its place. This type of lamp is still sometimes used in emergencies when electricity fails & light is needed.

Of course when the Victorians came along, a lamp became a flower garden, though it was still the basic mechanism of wick & oil. By this time we had learned to mold glass & metal so every material was employed in a manner that obscured its basic nature & turned it into something else, to be displayed in a house of like objects, all competing for the title of the most ornate.

I am not going to say that I do not consider this lamp to be lovely. I’m always happy to see a rose, growing in a garden, or painted on a lamp, but, you have to agree that the materials, function & construction of this lamp are not immediately apparent, being buried under excessive ornamentation!

In 1879 Thomas Edison & Joseph Swan patented the carbon-thread incandescent (An incandescent light bulb, incandescent lamp or incandescent light globe is an electric light with a wire filament that is heated until it glows.) lamp & over the next couple decades electricity technology evolved rapidly & took the lead in powering America.

THE LIGHTING OF THE ARTS & CRAFTS MOVEMENT

I think that my favorite William Morris quote is, “We shall not be happy unless we live like good animals, unless we enjoy the exercise of the ordinary functions of life: eating, sleeping, loving, walking, running, swimming, riding, sailing.”

Somehow he strips away all gee-gaws from life which is the basis of the Arts & Crafts Movement. I am amused by fact that the prehistoric, earthen lamp above, so resembles the lamps of the Movement. Personally, I find its humble simplicity beautiful.

I think the best way to talk about the lighting is to talk about the craftspeople of the Movement’s early years. But first, let’s talk about harmony.

HARMONY OF LIGHTING DESIGN

Ultimate bungalow living room lightThere’s nothing more beautiful than the fixtures you see in the Gamble House, or the amazing lamps of Stickley & other masters you see in the Museum of the American Arts and Crafts Movement in St. Pete, Florida.

Harmony is the visually satisfying effect of combining similar or related elements. In the decorative arts, this means that the lighting that you see in the Gamble House or other ultimate bungalow, in a museum might not be appropriate in your modest home.

Often, the key visual, size is the first aspect to consider. The Gamble House is a whopping 8,100 square feet. The rooms are proportionately sized & the lighting’s dimensions fit the room. While a modest house may have beautiful built-ins of unpainted woodwork, the Gamble House boasts cuts of wood, hand-picked by Charles Greene out of Burma teak, Douglas fir beams, white oak & Port Orford cedar, cut in elaborate designs. The beautiful stained glass of the lightening is duplicated throughout the house & most impressively, in the massive entry.

Arts & Crafts pendant light with slag glassThis is not meant in any way to denigrate your home. It is merely to state that the look & feel of your house are different from these bunga-mansions (as Jane Powell termed her magnificent house in Oakland) as their decorative elements look no more appropriate in a more simple home than would the crown jewels with your jeans. (And yes, I know that there are those out there who would wear such a combination & 1 in 1,000 of them would pull it off.)  There are still some amazing options out there that would enhance your home rather than overwhelming it.

This little gem from Doc’s Architectural Salvation in Springfield, Tennessee. Complete with beautifully patterned slag glass, it is undisputedly Arts & Crafts & would harmonize with any architecture or decor in a bungalow.

In the same way, the light in your kitchen is not from a Frank Lloyd Wright designed house. A simple schoolhouse light is more appropriate & will set off the other design elements of your kitchen rather than overtaking them.

I’m a big believer in visual flow. Keeping within the period & style of your house will ensure that there won’t be so many focal points that your overall look will be difficult to determine. Ideally each item in the room will complement or complete the others & the focal points will be supported by all the other elements.

THIS IS JUST THE FIRST PART OF AN IN-DEPTH SERIES ON LIGHTING

Read them all!

Historic lightbulbPart 2, THE CRAFTSMAN MAGAZINE LIGHTING ARTICLE
Tips on utilizing this new technology in the home.

Part 3, THE LIGHTING OF THE A & C ERA
How lighting expresses the philosophy & aesthetic of the Movement.

Part 4,  ARTS & CRAFTS LIGHTING DESIGNERS
Taking a look at how this new technology provided a market & how the market was served.

Historic lightbulbPart 5, WOMEN IN ARTS & CRAFTS LIGHTING
2 women who contributed to the Movement with their beautiful lamps.

Historic lightbulbPart 6, ANTIQUE ARTS & CRAFTS LIGHTING RESOURCES
If you want something authentic, but not a museum piece.

Historic lightbulbPart 7, MODERN DAY ARTS & CRAFTS LIGHTING MASTERS
Craftsmen honoring the tradition.

Historic lightbulbPart 8, REPRODUCTION ARTS & CRAFTS RESOURCES
Another beautiful option.

 

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